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Transcriptions for Violin and Piano: Violin & Piano

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Transcriptions for Violin and Piano Cover Image

Transcriptions for Violin and Piano: Violin & Piano

8 Transcriptions from Dowland to Johann Strauss II

Arranged by Simon Fischer

Item: 98-EP73225

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Description

Violinist Simon Fischer, renowned throughout the world for his highly praised string methods, now presents brilliant and idiomatic transcriptions for violin and piano of famous works from the classical repertoire. Perfect as encores or as part of a mixed recital, these arrangements of pieces by Dowland, Purcell, Rossini, Felix and Fanny Mendelssohn, Tchaikovsky, Chopin and Johann Strauss II will delight audiences and provide satisfying playing material for violinists.

  • Eight highly effective violin transcriptions, repertoire fromJohn Dowland to Johann Strauss II
  • Idiomatic violin parts demonstrating virtuoso potentialof instrument
  • Ossia alternatives for technically challenging moments
  • Video performances by Simon Fischer are available online

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 136
ISBN10: 0-57-701567-2
ISBN13: 979-0-5770-1567-5
SKU: 98-EP73225

More about this title

About the Arranger: Simon Fischer

Simon Fischer is a violinist and pedagogue whose string method books have shaped technique instruction across conservatories and studios worldwide. His deep understanding of what works idiomatically for the violin informs every transcription he creates, ensuring that each piece not only sounds brilliant but sits naturally under the fingers.

Why we love this

Fischer's transcriptions resist the urge to overcomplicate. Each arrangement respects the original while showcasing what makes the violin sing, and the inclusion of ossia passages means you can program these without worrying about technical gatekeeping. A recital book that actually gets played.

What to expect

A carefully curated salon program that moves from Renaissance austerity through Romantic virtuosity to Viennese elegance. The writing feels crafted rather than translated, with each piece earning its place through memorable melody and satisfying technical passagework.

Who it's for

Violinists seeking encore material that spans centuries without sounding like arrangements. Advanced students and professionals will find technical and musical depth here, while the ossia options make several pieces accessible to intermediate players ready to stretch.

How to get the most out of it

  • Study Fischer's video performances online first. His interpretive choices will anchor your own approach and demonstrate how these arrangements breathe.
  • The ossia alternatives aren't consolation prizes; they're fully musical solutions. Choose based on your violinist's strengths rather than defaulting to the written version.
  • Balance the piano part carefully in rehearsal. These transcriptions live in conversation, not spotlight-and-shadow dynamics.

How to use it

String these together as a standalone recital or use them strategically within a mixed program as elegantly scaled encores. The range across eight pieces means you can match mood and pacing to your concert arc.

Skills your students will build

  • Shifting across multiple positions in lyrical contexts
  • Balancing virtuosic passagework with phrase shape
  • Collaborative listening with piano partners
  • Making interpretive choices between written and ossia passages
  • Stylistic navigation across four centuries of music

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