Tranquillity from <i>Capriol Suite</i> Cover Image

Tranquillity from <i>Capriol Suite</i>: Concert Band Conductor Score

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Tranquillity from <i>Capriol Suite</i> Cover Image

Tranquillity from Capriol Suite: Concert Band Conductor Score

By Peter Warlock / arr. David Marlatt

Grade: 2

Item: 81-CB29153S

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Description
This is the lyrical, triple meter slow movement, actually called Pieds-en-l'air, from the famous Capriol Suite originally for string orchestra. Lush harmonies and colorful textures make this contrasting piece ideal for concert or contest use. Several smaller groups within the band get an opportunity for some chamber playing. Blend, balance, intonation and smooth legato playing are all elements that make this piece a great warmup as well.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 8
ISBN10: 1-55473-430-4
ISBN13: 978-1-55473-430-6
UPC: 685462014316
SKU: 81-CB29153S

More about this title

About the Composer: Peter Warlock

Peter Warlock (1894-1930) was an English composer whose brief but prolific career left an indelible mark on 20th-century British music. Born Philip Heseltine, he adopted the pseudonym Warlock and became known for his ability to blend Renaissance influences with modern harmonic language, creating works of striking beauty and emotional depth. His Capriol Suite, originally composed for string orchestra in 1926, stands as one of his most enduring achievements and has become a staple of school and professional ensembles alike.

Warlock's gift for melody and his sensitive approach to orchestration make his music particularly valuable in educational settings. The Capriol Suite demonstrates his mastery of texture and his talent for writing music that sounds far more complex than its technical demands suggest, making it an ideal repertoire choice for developing musicians.

Why we love this

David Marlatt's arrangement captures the intimacy and refinement of Warlock's original string writing while leveraging the full color palette of the concert band. The movement's triple meter and sustained harmonic language give conductors a powerful tool for teaching ensemble fundamentals, and the chamber writing sections provide meaningful solo moments that keep every section engaged.

What to expect

Warlock's music radiates a quiet nobility, with lush harmonies that shift gently beneath an elegantly shaped melody. The triple meter creates a floating quality, as if the band is suspended in a moment of peaceful reflection, while carefully voiced inner parts add warmth and depth without cluttering the texture.

Who it's for

This arrangement serves Grade 2 bands that have established fundamental ensemble skills and are ready to work with sustained legato playing and subtle dynamic shaping. The piece works equally well as a concert feature or contest selection, and its moderate technical demands make it accessible to developing musicians without sacrificing musical sophistication.

How to get the most out of it

  • Shape the phrases with consistent air support and resist the urge to breathe between every slur. Long, connected lines are essential to the lyrical character.
  • Balance the melody against the harmonic accompaniment by asking your supporting voices to play as if they are part of a background texture rather than equal partners. Legit dynamic control will bring the piece alive.
  • Address intonation in vertical sections before rehearsing the full score. Have small groups tune the intervals they sustain, particularly in the slower harmonic progressions where each note's pitch becomes more exposed.
  • Use the chamber passages as opportunities for musical independence. Players in these smaller groups need to listen actively and match vibrato speed and intensity to create a unified sonority.

How to use it

This movement functions beautifully as a contrasting centerpiece on a concert that includes faster, more energetic works. Its meditative character also makes it an effective prelude to a more vigorous second half, giving audiences and performers a moment to settle into the performance space.

Skills your students will build

  • Sustained legato playing with consistent air support
  • Intonation awareness in block harmonic structures
  • Blend and balance between melody and accompaniment voices
  • Musical independence in chamber-style ensemble passages
  • Shaping longer phrases without unnecessary breaks

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