Training the Left Hand Op.89 Cover Image

Training the Left Hand Op.89: Piano Studies

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Training the Left Hand Op.89 Cover Image

Training the Left Hand Op.89: Piano Studies

By Hermann Berens / ed. Adolf Ruthardt

Item: 98-EP3188

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Description
The Training of the Left Hand by Berens (Op. 89), edited by Adolf Ruthardt. These exercises are intended to impart velocity, strength and a uniform touch to the fingers. Those who have the patience to take up 6 to 8 numbers a day and to practice them for 10 to 15 minutes will soon be convinced of the utility of the same.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 36
ISBN10: 0-01-401484-X
ISBN13: 979-0-01-401484-1
SKU: 98-EP3188

More about this title

About the Composer: Hermann Berens

Hermann Berens (1826, 1880) was a German pianist and pedagogue whose studies remain fixtures in conservatory curricula worldwide. His technical exercises prioritize muscular development and evenness of touch over flashy display, reflecting the 19th-century German approach to piano technique that valued discipline and precision.

Why we love this

These studies cut straight to what matters: building left-hand independence and finger strength through systematic, focused work. The structure invites students to commit to a genuine practice regimen (6 to 8 exercises daily) rather than dabbling, and that commitment yields measurable results in velocity, evenness, and control.

What to expect

Repetitive and industrial in the best sense, like athletic conditioning. There is little melodic interest; the exercises exist purely as vehicles for building muscular facility. Progress reveals itself gradually, in the ability to execute rapid passages with relaxation and clarity.

Who it's for

Students who have moved beyond beginner repertoire and need systematic left-hand development, as well as pianists preparing for technique-heavy repertoire. This collection suits anyone willing to invest daily, focused practice time rather than seeking quick fixes.

How to get the most out of it

  • Start each session with slow, deliberate repetition to establish muscle memory before increasing tempo; rushing defeats the purpose of conditioning work.
  • Rotate which exercises you prioritize week to week rather than working through sequentially; variety keeps attention sharp and targets different technical demands.
  • Monitor hand position and wrist alignment constantly; poor posture undermines the strength gains you're building.

How to use it

Assign these as daily technical work alongside students' main repertoire rather than as concert material. A pianist building toward Romantic-era concertos or 20th-century works with complex left-hand writing will find these studies indispensable preparation.

Skills your students will build

  • Left-hand independence and agility in rapid passagework
  • Finger strength and endurance
  • Uniform touch across all fingers
  • Velocity without tension
  • Technical evenness across the keyboard

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