Traffic Jam Blues Sheet Music Preview

Traffic Jam Blues: Piano

By Elizabeth W. Greenleaf

Item: 98-DW9123

Digital Download
$4.95
Description
Fun-to-play composition allows your students to practice melody with both hands, legato/staccato articulations, and accidentals. Traffic Jam Blues gives teachers a wonderful tool for introducing hand independence.

Traffic Jam Blues: Piano isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Written For You
Publisher: The FJH Music Company, Inc.
SKU: 98-DW9123

More about this title

Why we love this

Greenleaf has written a piece that does real pedagogical work without sacrificing musicality. Hand independence is notoriously difficult to teach, but this blues number makes students want to play it, which means they'll actually practice the coordination it demands. The articulation variety keeps fingers awake and engaged.

What to expect

Traffic Jam Blues has the swagger and syncopation of real blues while staying accessible. The melody sits comfortably under the fingers, and the accompaniment pattern gives students a genuine rhythmic foundation to feel groovy rather than mechanical.

Who it's for

This piece works well for early intermediate piano students (approximately Levels 2-3) who are ready to move beyond simple single-hand melodies but still developing coordination between both hands. It's ideal for students who connect with popular music styles and benefit from knowing the genre context as they learn.

How to get the most out of it

  • Isolate each hand separately first. Play the melody without the accompaniment pattern until the right hand feels comfortable, then add the left hand rhythm in small sections.
  • Exaggerate the contrast between legato and staccato passages. The blues style will feel more authentic when articulation choices are crisp and intentional.
  • Anchor the left hand with a steady, relaxed wrist. Hand independence develops fastest when the supporting hand feels stable and unmoved by what the melody hand is doing.
  • Work accidentals into the melody practice slowly. Circle them in your score and drill them separately before playing them in context.

How to use it

Feature this in a spring or end-of-year recital to showcase student progress in hand independence and style flexibility. It also works as a bridge into more advanced blues repertoire or as a model piece when teaching students about genre and articulation in the same lesson.

Skills your students will build

  • Hand independence between melody and accompaniment patterns
  • Legato and staccato articulation control in the same phrase
  • Accidental reading and intonation (sharps and flats)
  • Blues rhythmic feel and syncopation
  • Right-hand melody clarity while maintaining left-hand rhythm

You May Also Like