Traffic And Weather: Piano/Vocal/Chords
Fountains of Wayne
Item: 00-PSP-000270
Pickup currently not available
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Description
This album-matching folio provides the lyrics, melody lines, and chord changes, with professionally arranged piano accompaniments, for all the songs on the record.
Titles: Someone to Love * '92 Subaru * Yolanda Hayes * Traffic and Weather * Fire in the Canyon * This Better Be Good * Revolving Dora * Michael and Heather at the Baggage Claim * Strapped for Cash * I-95 * Hotel Majestic * Planet of Weed * New Routine * Seatbacks and Traytables.
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Additional Details
More about this title
About the Artist: Fountains of Wayne
Fountains of Wayne emerged in the late 1990s as masters of narrative pop songwriting, crafting albums filled with vivid character sketches and observational humor grounded in accessible melodies and solid musicianship. The band became best known for "Stacey's Mom," but their broader catalog demonstrates consistent artistry across multiple albums, with particular strength in lyrical storytelling and arrangement work that rewards careful listening and performance.
Why we love this
These songs offer pianists and singers genuine storytelling material with clear melodic hooks and ungimmicky arrangements. The album's specificity—song titles that function as plot setups—gives performers something real to play toward, and the accessible pop idiom makes these pieces appealing for recitals, coffee shop performances, or informal student showcases without sacrificing musical substance.
What to expect
Sharp, observational, and surprisingly human. These songs inhabit ordinary lives—airport baggage claims, commute frustrations, relationship uncertainties—with enough specificity to feel lived-in rather than generic. The pop arrangements sit somewhere between indie rock sensibility and mainstream accessibility, creating a warm, conversational tone across the album.
Who it's for
Pianists who sing or collaborate with vocalists, from intermediate students exploring contemporary pop literature to experienced musicians building recital programs with modern material. This folio works for music theater students, jazz pianists interested in comping pop songwriting, and anyone seeking singable, well-constructed pop songs with substance beyond radio appeal.
How to get the most out of it
- Study the lyrics first. Every song builds a narrative or captures a specific moment; your phrasing and dynamic choices will land better when you understand what the character is experiencing.
- Balance the accompaniment against the vocal line rather than burying melody under keyboard texture. These arrangements support rather than dominate the singer.
- Treat the chord symbols as a foundation, not a limitation. Experiment with voicing options that complement the melody and mood of each song.
- Let the humor breathe where it exists. Fountains of Wayne's wit often lives in the details; don't rush past observation-heavy verses.
How to use it
Select individual songs for student recitals or coffee house events where contemporary repertoire and humor are valued. Pair a song or two with other modern pop arrangements to program an entire set, or use them in music theater contexts where character-driven material serves scene work or monologue underscoring.
Skills your students will build
- Piano comping with mixed chord voicings (seventh chords, suspended chords, extensions)
- Integrating lyrics and melody with harmonic accompaniment
- Balancing vocal support with independent piano textures
- Interpreting pop song structure and phrasing conventions
- Sight-reading from chord charts and lead sheets