Toy Trumpet (Trumpet Solo Section Feature): Concert Band Conductor Score & Parts
By Raymond Scott / Arranged by Robert Longfield
Grade: 3
Item: 35-PK00245651
$70.00
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Description
Composer Raymond Scott is known for compositions that were adapted for the classic Looney Tunes cartoons. One of his signature tunes, "The Toy Trumpet," was famously sung by Shirley Temple in the 1938 film "Rebecca of Sunnybrook Farm", and versions by The Boston Pops and Al Hirt are classics. Perfect for a holiday concert or any "pops" event, this lighthearted arrangement featuring trumpet solo and section is sure to be enjoyed by all. Dur: 2:45
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00245651
More about this title
About the Composer: Raymond Scott
Raymond Scott (1908-1994) was an American composer and bandleader whose sharp ear for orchestration and gift for memorable melody made him a central figure in American popular music. His prolific output included hundreds of compositions, many of which found their way into animated cartoons and films; his music became synonymous with the energetic, whimsical sound of mid-century entertainment.
Beyond his cartoon fame, Scott was a serious musician who founded his own orchestra and experimented with early electronic instruments. For music educators, his legacy offers accessible yet sophisticated writing that rewards both student performers and audiences, proving that popular music and musical craftsmanship are not mutually exclusive.
Why we love this
This arrangement captures the infectious charm of Scott's original without requiring virtuosic chops; Grade 3 players can genuinely shine on the trumpet feature without overshadowing the full band sound. The piece sits naturally at pops concerts, holiday programs, and spring concerts where you need something that keeps the audience smiling while maintaining musical integrity.
What to expect
Bright, whimsical, and full of the nostalgic warmth of 1930s popular music. The toy trumpet character sits front and center, delivering a melody that's instantly memorable and genuinely fun to perform, wrapped in Scott's smart orchestration that keeps the whole band engaged.
Who it's for
Concert bands at the Grade 3 level looking for a crowd-pleasing feature that gives trumpet players a solo moment. This works equally well for directors seeking legitimate repertoire that bridges classical and popular styles, and for communities where pops concerts are a staple.
How to get the most out of it
- Let the trumpet soloist shape the melody with gentle rubato in the opening. Scott's tune begs for a touch of playfulness, and rigidly metronomic playing will flatten the character.
- Balance the trumpet section behind the solo voice; this feature works only if the solo sits forward while the section provides warm harmonic support without drowning it out.
- Anchor the rhythm section to keep the lighthearted energy from becoming sloppy. At 2:45, this piece moves along quickly, and any rhythmic looseness will read as amateurish rather than charming.
- Pay attention to the dynamics marked in the score. Scott's orchestrations rely on color shifts and sectional balance to create interest, not just on the melody line.
How to use it
Place this after a more serious classical work on a mixed concert to give audiences a genuine breather and shift the mood. It also anchors a dedicated pops or holiday program where it can stand alongside other lighter fare without feeling out of place.
Skills your students will build
- Solo performance and projection within an ensemble setting
- Balancing lyrical phrasing with rhythmic precision
- Dynamic control and sectional blend in supporting roles
- Recognition of popular idiom and stylistic inflection appropriate to the era