Toss for Any Instrument(s) or Sound(s) Cover Image

Toss for Any Instrument(s) or Sound(s): Percussion Sheet Music

$15.95 USD
Sale price  $15.95 USD Regular price 
Skip to product information
Toss for Any Instrument(s) or Sound(s) Cover Image

Toss for Any Instrument(s) or Sound(s): Percussion Sheet Music

By Christian Wolff

Item: 98-EP68507

$15.95
Shipped

One moment…

Description
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Toss for Any Instrument(s) or Sound(s): Percussion Sheet Music isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Edition Peters
ISBN10: 0-300-76616-5
ISBN13: 978-0-300-76616-5
SKU: 98-EP68507

More about this title

About the Composer: Christian Wolff

Christian Wolff emerged as a major figure in experimental and indeterminate music during the 1950s, alongside John Cage and Morton Feldman. His works emphasize performer choice, graphic notation, and the integration of silence and chance procedures as compositional tools. Wolff's approach fundamentally challenged conventional ideas about what constitutes a musical score and how musicians collaborate within a predetermined framework.

Why we love this

Wolff's indeterminate notation forces percussionists to engage in genuine creative decision-making rather than executing predetermined patterns. The title itself signals freedom: any instrument, any sound, any approach becomes valid musical material. This score opens conversations about what percussion is and invites students to hear their own sonic choices as compositional acts.

What to expect

Open-ended and liberating, inviting curiosity rather than anxiety. The score trusts performers to listen deeply and choose deliberately, creating an intimate relationship between decision-making and sound.

Who it's for

Percussionists and composers exploring indeterminate notation, experimental ensembles, and contemporary music; advanced students ready to embrace performer autonomy as a compositional principle. This work suits programs emphasizing twentieth-century and living composers.

How to get the most out of it

  • Read the score as a conceptual framework rather than a fixed set of instructions; your interpretation is part of the piece's completion.
  • Explore the full range of your chosen instrument or sound source before performance to expand what you might select in the moment.
  • Consider how silence and restraint shape the overall arc; not every moment requires sound.

How to use it

Program this alongside other experimental and indeterminate works to contextualize post-1950s compositional thinking. It works equally well as a standalone concert piece or as part of a new music festival exploring performer agency and graphic scores.

Skills your students will build

  • Interpreting indeterminate and graphic notation
  • Cultivating listening awareness and intentional sound selection
  • Developing confidence in creative decision-making within a compositional structure
  • Understanding silence and negative space as musical elements

You May Also Like