Topsy: Jazz Ensemble Conductor Score & Parts
By Eddie Durham / By Edgar Battle / Arranged by Rick Stitzel
Grade: 1-2
Item: 35-PK00160813
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Topsy - Full Score | $7.50 | |
| Topsy - Alto Sax 1 | $6.00 | |
| Topsy - Alto Sax 2 | $6.00 | |
| Topsy - Tenor Sax 1 | $6.00 | |
| Topsy - Tenor Sax 2 | $6.00 | |
| Topsy - Baritone Sax | $6.00 | |
| Topsy - Trumpet 1 | $6.00 | |
| Topsy - Trumpet 2 | $6.00 | |
| Topsy - Trumpet 3 | $6.00 | |
| Topsy - Trombone 1 | $6.00 | |
| Topsy - Trombone 2 | $6.00 | |
| Topsy - Trombone 3 | $6.00 | |
| Topsy - Guitar | $6.00 | |
| Topsy - Piano | $6.00 | |
| Topsy - Bass | $6.00 | |
| Topsy - Drums | $6.00 |
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Description
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More about this title
About the Composer: Eddie Durham
Eddie Durham was a trombonist, guitarist, and arranger who shaped the sound of swing jazz in the 1930s and 1940s. He worked with major bands including the Kansas City Orchestra and Glenn Miller's ensemble, and his arrangements balanced accessibility with genuine jazz sophistication. Durham had a gift for writing ensemble lines that were both playable and swinging, making him a natural choice for educational settings where musicianship matters as much as fun.
Why we love this
This arrangement captures everything that makes early swing appealing without asking for virtuosic chops. The melody sits naturally across the ensemble, the harmonies support rather than complicate, and the whole piece swings hard with minimal rehearsal investment. Rick Stitzel's scoring gives every section something to do without creating balance problems.
What to expect
Effortless and groovy. The melody bounces with a straightforward charm while the ensemble parts hum beneath it with authentic swing color. There's a lightness here that lets musicians relax into the groove instead of fighting against complexity.
Who it's for
Beginning jazz ensembles and starter bands looking for a first swing arrangement that doesn't require extensive rehearsal or reading maturity. This works equally well for young players discovering jazz and for directors building confidence in rhythm section players.
How to get the most out of it
- Keep the eighth note subdivision steady and light. The swing feel lives in the relaxation, not the rush.
- Balance the melody against the background figures so the tune emerges clearly without the ensemble dropping back into accompanying texture.
- Listen for where the rhythmic figures resolve. Slight breathing space before the next phrase keeps the energy flowing rather than piling on.
How to use it
Open a spring jazz concert with this number to set a fun, accessible tone, or use it as a sight-reading vehicle during the first weeks of jazz band to orient players to swing language and ensemble balance. It also pairs well with slightly more challenging pieces in the same program, giving the band and audience a moment of pure musical enjoyment.
Skills your students will build
- Reading and executing swing eighth notes
- Balancing written melody against rhythmic ensemble figures
- Listening to and locking into a consistent swing pulse
- Ensemble blend across mixed jazz instrumentation
- Understanding call and response phrasing in an ensemble context