Top Of The World (from Lyle, Lyle, Crocodile) (arr. Mark Brymer): Choral Instrumental Pak
As performed by Shawn Mendes / Arranged by Mark Brymer
Item: 35-PK01293290
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About the Artist: Shawn Mendes
Shawn Mendes built his career on direct, emotionally accessible songwriting that resonates across age groups. His work in film and theater scores demonstrates his ability to craft moments that land with clarity and purpose, making his material a natural fit for ensemble performance.
As a composer working in popular music and musical theater, Mendes understands the architecture of a hook and the power of a simple, singable melody. His arrangements for choral groups maintain that accessibility while giving singers material that feels contemporary and engaging.
Why we love this
Mark Brymer's arrangement brings sophisticated pop sensibility to a song that already carries real emotional weight. The Rhythm voicing sits perfectly for mixed ensembles, and the material works equally well as a concert closer or a lighter moment in a larger production without sacrificing musicality.
What to expect
Bright, forward, and hopeful. The song carries the warmth of genuine encouragement rather than manufactured uplift, with instrumentation that sits in a modern pop space but leaves room for singers to shape the narrative. There's an optimism here that feels earned.
Who it's for
Choirs seeking contemporary material that speaks to authentic emotion without sacrificing musical substance. Directors programming concerts that include film and theater repertoire, or those building bridges between traditional and pop styles.
How to get the most out of it
- Keep the pop groove organic and pocket-forward rather than metronomic; this song should breathe with the energy of a band, not a metronome.
- Balance the lyrics with the instrumentation so the message of the text lands clearly; pop arrangements live or die on clarity of phrase.
- Lean into the rhythmic vitality of the accompaniment to anchor your singers' confidence, especially if your group is still finding comfort with contemporary idioms.
- Let the instrumental parts do their work in supporting the emotional arc; resist over-singing through moments where restraint serves the arrangement better.
How to use it
Drop this into a concert as a palate cleanser between heavier or slower material, or use it to close a first half with momentum. It also works as a strong finale if your program has a theme around resilience or looking forward, and the contemporary style makes it an accessible entry point for ensembles exploring pop arranging together.
Skills your students will build
- Singing contemporary pop phrasing and rhythmic flexibility
- Balancing ensemble blend while maintaining the clarity of popular music style
- Interpreting and sustaining lyrical intention in non-classical contexts
- Responding to rhythmic accompaniment tracks with precision and musicality