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Top Hits from TV, Movies & Musicals Instrumental Solos for Strings: Viola Book & CD

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Top Hits from TV, Movies & Musicals Instrumental Solos for Strings: Viola Book & CD

Arr. various, ed. Bill Galliford

Level: 2--3

Item: 00-45189

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Description
This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software.

Titles: A Whiter Shade of Pale (The Sopranos) * All About That Bass (Meghan Trainor) * Arthur's Theme (Best That You Can Do) (Arthur) * As Time Goes By (Casablanca) * Both Sides Now (Joni Mitchell) * Boulevard of Broken Dreams (Green Day) * Blueberry Hill (Fats Domino) * Can't Fight the Moonlight (Coyote Ugly) * Can You Feel the Love Tonight (The Lion King) * Concerning Hobbits (The Lord of the Rings: The Fellowship of the Ring) * Cool Kids (Echosmith) * Corpse Bride (Main Title) (Corpse Bride) * Diamonds Are Forever (Diamonds Are Forever) * Ding-Dong! The Witch Is Dead (The Wizard of Oz) * Don't Stop Believin' (Journey) * Falling Slowly (Once) * Fame (Fame) * Follow the Yellow Brick Road (The Wizard of Oz) * For Your Eyes Only (For Your Eyes Only) * Ghostbusters Theme (Ghostbusters) * Goldfinger (Goldfinger) * Gonna Fly Now (Theme from Rocky) * He's a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * I Don't Want to Miss a Thing (Armageddon) * In Dreams (The Lord of the Rings: The Fellowship of the Ring) * James Bond Theme (Dr. No) * Let It Go (Frozen) * Nobody Does It Better (The Spy Who Loved Me) * Over the Rainbow (The Wizard of Oz) * Roar (Katy Perry) * (I Can't Get No) Satisfaction (The Rolling Stones) * See You Again (Furious 7) * Song from M*A*S*H (Suicide Is Painless) * Stairway to Heaven (Led Zeppelin) * Star Wars (Main Theme) (Star Wars Episode IV: A New Hope) * Summertime (Porgy and Bess) * The Good, the Bad, and the Ugly (Main Title) * The Great Escape (Main Title) * The Greatest Love of All (Whitney Houston) * The Magnificent Seven (Main Title) * The Notebook (Main Title) * The Prayer (Celine Dion and Andrea Bocelli) * The Windmills of Your Mind (The Thomas Crowne Affair) * Theme from Superman * We Are Young (fun.) * You Only Live Twice (You Only Live Twice) * You Raise Me Up (Josh Groban) * You've Got a Friend in Me (Toy Story).

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Additional Details
Series: Top Hits Instrumental Solos Series
Publisher: Alfred Music
Page Count: 76
ISBN10: 1-4706-3301-9
ISBN13: 978-1-4706-3301-1
UPC: 038081517094
SKU: 00-45189
Instrumentation: Viola

More about this title

Why we love this

This collection spans decades of recognizable music from screen and stage, giving viola students immediate engagement with material they actually want to play. The arrangements respect the viola's lyrical voice while keeping technical demands accessible for developing players, making rehearsals feel less like grinding through etudes and more like unlocking songs they know.

What to expect

Playing these pieces feels like stepping into a film scene or a Broadway moment. From the sweeping melancholy of 'As Time Goes By' to the driving energy of 'Don't Stop Believin', you're tapping into music that already has emotional weight and cultural resonance. The viola gets to be the voice telling the story.

Who it's for

Viola students in grades 2-3 who are ready to move beyond method book exercises and connect with music from contemporary pop, classic rock, film, and theater. These arrangements work equally well for solo recital preparation, ensemble reading sessions, or informal performance opportunities.

How to get the most out of it

  • Balance your tone against the recorded accompaniment so your melodic line sits naturally without forcing volume; the arrangement is voiced to support you.
  • Listen through the demo track first to absorb the style and phrasing before tackling the technical aspects; many of these songs have distinctive rhythmic or expressive character that sheet music alone won't convey.
  • Use the piano PDF during rehearsal if an accompanist is available; it offers a lighter texture than the full orchestral recording and helps build independence.
  • Mark tempo and expression cues that stand out in the demo; songs like 'Falling Slowly' and 'Both Sides Now' rely on rubato and dynamic shaping to land emotionally.

How to use it

Feature one or two of these as standalone recital items to break up a program dominated by classical repertoire, or cluster several together thematically (movie themes in one set, modern pop in another) for an entire concert that appeals to younger audiences and families. They also work well as supplementary material for students who need engaging reinforcement between their main method and solo repertoire.

Skills your students will build

  • Reading melodies across multiple octaves and positions on the viola
  • Phrasing and shaping long melodic lines with dynamic shape and rubato
  • Matching articulation and style to recorded ensemble accompaniments
  • Navigating varied tempos and time signatures within familiar harmonic contexts
  • Building confidence with recognizable music that rewards expression over technical complexity

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