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Top Christian Hits Instrumental Solos: Tenor Sax Book & CD

$14.99 USD
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Top Christian Hits Instrumental Solos Cover Image

Top Christian Hits Instrumental Solos: Tenor Sax Book & CD

Arr. various, ed. Bill Galliford

Level: 2--3

Item: 00-46792

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Description
This series offers a versatile selection of today's top Christian hits for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and well suited for level 2--3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software.

Titles: In Christ Alone (My Hope Is Found) (Passion [Featuring Kristian Stanfill]) * O Come to the Altar (Elevation Worship) * Even If (MercyMe) * What a Beautiful Name (Hillsong Worship) * Oh My Soul (Casting Crowns) * Great Are You Lord (All Sons & Daughters) * Good Good Father (Chris Tomlin) * The Lion and the Lamb (Big Daddy Weave) * Glorious Day (Passion [Featuring Kristian Stanfill]) * Home (Chris Tomlin) * I Can Only Imagine (MercyMe) * This Is Amazing Grace (Phil Wickham) * Thy Will (Hillary Scott & The Scott Family) * Trust in You (Lauren Daigle) * Clean (Natalie Grant).

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Additional Details
Series: Top Hits Instrumental Solos Series
Publisher: Alfred Music
Page Count: 32
ISBN10: 1-4706-3972-6
ISBN13: 978-1-4706-3972-3
UPC: 038081536675
SKU: 00-46792
Instrumentation: Tenor Sax

More about this title

Why we love this

A tenor sax book built on music your students actually want to play. Contemporary Christian hits land differently than standard band repertoire—they carry real emotional weight and cultural relevance for many young musicians, which translates to genuine engagement in the practice room. The play-along tracks remove the isolation of solo practice and create immediate musicality.

What to expect

Accessible, warm, and emotionally direct. These are songs written to move the listener, and the instrumental arrangements preserve that sincerity without demanding virtuosity. You get straightforward melodies and comfortable ranges paired with accompaniments that sound full and professional.

Who it's for

Tenor saxophonists in the upper elementary to early middle school range who are ready for solos beyond standard method books. Students in church music programs, Christian school bands, or independent studios will find these arrangements affirm their musical interests while building legitimate solo performance skills.

How to get the most out of it

  • Use the demo track first to internalize phrasing and articulation choices. Listen to how the recorded solo approaches each phrase, then adapt those ideas to your own voice at the saxophone.
  • Balance the articulation between the lyrical passages and the rhythmic sections. Many of these songs blend smooth, singing lines with contemporary rhythmic figures, so vary your tonguing and legato accordingly.
  • Keep the tempo steady when transitioning between the demo and play-along tracks. The accompaniment is a strict click reference, so lock in early rather than waiting to find the groove mid-song.
  • Shape dynamics to match the emotional arc of each song. These pieces thrive on sensitivity to the text and message beneath the melody, so let dynamics reflect that narrative.

How to use it

Feature these in a spring recital or church service context where contemporary Christian music fits naturally into your program. They also work beautifully as supplemental solo material for students preparing for solo competitions or as vehicles for building confidence in a student transitioning from group playing to solo performance.

Skills your students will build

  • Interpreting contemporary song structure and phrasing
  • Balancing legato and rhythmic articulation within a single piece
  • Reading and performing with an accompaniment track
  • Managing dynamics to shape emotional narrative
  • Sustaining tonal quality across varying phrase lengths

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