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Top 50 Broadway Hits: Piano Book

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Top 50 Broadway Hits Cover Image

Top 50 Broadway Hits: Piano Book

Arranged by Dan Coates

Level: Easy Piano

Item: 00-33266

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Description
Fifty of the best Broadway hits are now at your fingertips! This jam-packed folio features classic musicals as well as new hits currently running on Broadway! Each intermediate-level arrangement includes lyrics and chord symbols. Titles: 21 Guns (American Idiot) * And All That Jazz (Chicago) * Anything Goes (Anything Goes) * Aquarius (Hair) * Back to Before (Ragtime) * Can You Feel the Love Tonight (The Lion King) * Chitty Chitty Bang Bang (Chitty Chitty Bang Bang) * Corner of the Sky (Pippin) * Dancing in the Dark (The Band Wagon) * Diamonds Are a Girl's Best Friend (Gentlemen Prefer Blondes) * Don't Rain on My Parade (Funny Girl) * Ease On Down the Road (The Wiz) * Falling In Love with Love (The Boys from Syracuse) * Fascinating Rhythm (Lady Be Good) * From This Moment On (Kiss Me, Kate) * Gigi (Gigi) * Give My Regards to Broadway * Good Morning (Babes in Arms) * Heart, from Damn Yankees (Damn Yankees) * Hey There (The Pajama Game) * Hopelessly Devoted to You (Grease) * How Are Things in Glocca Morra? (Finian's Rainbow) * How Could I Ever Know? (The Secret Garden) * How Lucky You Are (Suessical) * I Could Have Danced All Night (My Fair Lady) * I Won't Grow Up (Peter Pan) * If Ever I Would Leave You (Camelot) * Knights of the Round Table (Spamalot) * Lipstick on Your Collar (Marvelous Wonderettes) * Mack the Knife (The Threepenny Opera ) * Mama Who Bore Me (Spring Awakening) * New York, New York (On the Town) * Part of Your World (Little Mermaid) * Ragtime (Ragtime) * Secret Love (Marvelous Wonderettes) * Skid Row (Downtown) (Little Shop of Horrors) * So In Love (Kiss Me, Kate) * Suddenly Seymour (Little Shop of Horrors) * Summertime (Porgy and Bess) * Taking a Chance on Love (Cabin in the Sky) * Tenterfield Saddler (The Boy from Oz) * Thank Heaven for Little Girls (Gigi) * The Gold Diggers' Song (We're In the Money) (42nd Street) * The Trolley Song (Meet Me in St. Louis) * The Winner Takes It All (Mamma Mia) * Together Wherever We Go (Gypsy) * Try to Remember (The Fantastiks) * Wake Me Up When September Ends (American Idiot) * What More Can I Say? (Falsettos) * You Don't Own Me (Marvelous Wonderettes).

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Additional Details
Series: Top 50
Publisher: Alfred Music
Page Count: 208
ISBN10: 0-7390-6215-8
ISBN13: 978-0-7390-6215-9
UPC: 038081371764
SKU: 00-33266

More about this title

About the Arranger: Dan Coates

Dan Coates

Dan Coates has spent nearly five decades arranging music across every genre imaginable. His work has earned the endorsement of major composers and artists including John Williams, Burt Bacharach, and Elton John, all of whom have relied on his skill to adapt their compositions for piano without losing the character of the originals. From film and television scores to Broadway anthems and contemporary pop, his arrangements consistently capture what makes each piece distinctive.

Beyond arranging established hits, Coates has also written original compositions specifically designed for student pianists at various levels. His arrangements have sold more than 4.4 million copies, making him one of Alfred's most trusted and prolific contributors to piano literature.

Why we love this

Coates has distilled fifty Broadway classics and recent hits into intermediate-level arrangements that feel singable and performable without requiring advanced technical facility. The inclusion of lyrics and chord symbols transforms these pieces into conversation starters between pianist and audience; students can perform them as piano solos, sing along, or use them as springboards for improvisation. This collection balances nostalgia with contemporary Broadway, so whether your program needs a showstopper from mid-century American musical theater or a song from a production still running on stage, it's here.

What to expect

Stepping into a Broadway foyer from which fifty doors open onto different theatrical worlds. You'll pass through the glittering glamour of mid-century standards, the emotional sweep of golden-age musicals, the theatrical wit of contemporary shows, and everything in between. Each arrangement shines with personality without demanding technical virtuosity, so the focus stays on expressing the theatrical character and sentiment that made these songs memorable in the first place.

Who it's for

Pianists at the intermediate level who want to perform recognizable Broadway music without wrestling with advanced technical demands. This collection also serves as a bridge for students interested in musical theater who are ready to explore how songs sound on their own instrument. Teachers seeking accessible repertoire that sparks student enthusiasm will find that a familiar melody from a beloved show often motivates practice more effectively than abstract etudes.

How to get the most out of it

  • Balance the melody so it sits comfortably above the accompaniment; Broadway songs live or die by their tunefulness, so resist the urge to overpower the line with dense chords.
  • Use the chord symbols as a guide for voicing rather than a rigid blueprint. Experiment with different inversions and extensions to match the character of each song.
  • Shape phrases around the lyrical text even when playing without singing. Songs like 'I Could Have Danced All Night' and 'Falling In Love with Love' have natural breathing points that should guide your phrasing at the keyboard.
  • Let the rhythm section feel dance from underneath rather than drive mechanically. Many of these arrangements sit in tempos that invite swing or theatrical rubato.

How to use it

Build a Broadway-themed concert or recital series where each student tackles a different song from this collection; the variety means every pianist finds something that matches their musical voice. Use individual arrangements as supplementary repertoire throughout the year, slotting a familiar Broadway song into seasonal programs alongside more traditional classical or contemporary pieces. This book also works beautifully for mustering enthusiasm at the start of lessons or for giving sight-readers satisfying material to explore independently.

Skills your students will build

  • Reading and interpreting chord symbols in varied harmonic contexts
  • Balancing melody and accompaniment texture
  • Understanding theatrical phrasing and lyrical musicality in instrumental performance
  • Coordinating left-hand patterns with right-hand melodic material across multiple musical styles
  • Sight-reading at intermediate level across a broad stylistic range

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