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Top 10 Classical Favorites: Piano Book

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Top 10 Classical Favorites: Piano Book

10 of the World's Most Treasured Masterpieces

Arranged by Sharon Aaronson

Level: Intermediate / Late Intermediate

Item: 00-21349

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Description
For classical music lovers, this collection contains 10 favorite orchestral, operatic and piano masterpieces arranged for intermediate to late-intermediate pianists. Among the composers represented are Pachelbel, J. S. Bach, Beethoven, Chopin and Joplin. These arrangements can be played at informal gatherings, recitals or for one's own enjoyment.

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Additional Details
Series: Top 10 Series
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-2985-1
ISBN13: 978-0-7390-2985-5
UPC: 038081204901
SKU: 00-21349

More about this title

Why we love this

Aaronson has selected pieces that genuinely matter to pianists and audiences alike, avoiding the trap of transcribing orchestral works that sound thin at the keyboard. The arrangement choices honor the original idiom while giving intermediate players access to repertoire they might otherwise encounter only as listeners. Each piece sits comfortably under the hands without sacrificing musical substance.

What to expect

Playing through this collection feels like a gallery walk through Western music history. Each piece carries the weight of its original conception, whether the grandeur of Beethoven or the lyrical elegance of Chopin, but the keyboard writing remains fresh and idiomatic. You're not fighting the arrangement; you're enjoying the direct path from composer's intent to your own musical voice.

Who it's for

Intermediate to late-intermediate pianists preparing recital material, whether for formal competitions, studio recitals, or informal performances. These arrangements work equally well for pianists seeking to build a diverse solo repertoire without tackling full sonatas or concertos at this level.

How to get the most out of it

  • Study the harmonic architecture beneath the melody in pieces like the Pachelbel Canon and Bach selections; understanding the progression will guide your phrasing and prevent the arrangements from feeling like mere accompaniment figuration.
  • Allow expressive rubato in the Chopin and Beethoven selections, especially at phrase endings, but anchor it to a steady pulse in the inner voices so the arrangement remains coherent.
  • Balance the left hand as an equal partner, not a servant. Many of these arrangements distribute musical content across both hands in ways that demand voice independence.
  • Vary your tone color and dynamic range even within passages that might seem repetitive structurally; the arrangements reward attention to shading and articulation.

How to use it

Pair selections from this book with your students' other repertoire to create thematically rich recitals that span styles and periods. A Pachelbel piece pairs beautifully with a contemporary work; a Chopin selection anchors a program around Romantic keyboard music. Consider opening a student recital with Bach or Pachelbel to establish musical weight, then moving into more dramatic territory.

Skills your students will build

  • Balancing melody and accompaniment across both hands
  • Interpreting Baroque ornamentation and phrasing conventions
  • Managing rubato in Romantic-era arrangements
  • Maintaining voice independence in multi-layered textures
  • Stylistic interpretation across Classical, Baroque, and 19th-century idioms

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