Too Close Sheet Music Preview

Too Close: Marching Band Conductor Score & Parts

As Recorded by Alex Clare

Words and music by Jim Duguid and Alex Claire / arr. Jerry Burns

Grade: 1.5 (Very Easy)

Item: 00-PK-0006218

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Description
Alex Clare's soulful alternative rock tune is the basis for this solidly scored arrangement. Jerry Burns gives us a big sounding chart that will be ready to perform today! (1:20)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Too Close: Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Very Easy Pops for Marching Band
Publisher: Alfred Music
Page Count: 86
SKU: 00-PK-0006218

More about this title

Why we love this

Jerry Burns has done exceptional work scaling Alex Clare's "Too Close" down to Grade 1.5 without sacrificing the song's emotional core or contemporary edge. The arrangement sits perfectly for younger ensembles, giving students a chart they can execute cleanly while still sounding polished and radio-ready on the field.

What to expect

Soulful and direct. This arrangement captures the intimate vulnerability of the original while giving it enough rhythmic propulsion and full-band color to project across a field. There's an undeniable contemporary warmth here, neither syrupy nor overly driven.

Who it's for

Marching bands at the Grade 1.5 level looking for contemporary, singable repertoire that challenges students without overwhelming them. Directors building programs that blend traditional marching band skills with modern rock idioms will find this arrangement genuinely performable with young ensembles.

How to get the most out of it

  • Balance the melody across sections so it sits clearly above the harmonic foundation; this chart's strength lies in its accessibility, which means clean part independence matters more than dynamic complexity.
  • Lock the percussion section's rhythmic foundation early in rehearsals. The rock groove depends on consistent backbeat definition from the drums.
  • Shape the phrasing in four-bar or eight-bar units rather than dwelling on individual notes. This piece lives in song form, not concert band tradition, so let the architecture breathe.

How to use it

This works beautifully as a ballad or slow feature that breaks up a program of traditional marching fare. At just 1:20, it's also an ideal standalone warm-up piece early in the season or a strong closer that leaves audiences with something melodic and memorable.

Skills your students will build

  • Reading and executing contemporary rock rhythms in a marching context
  • Sustaining lyrical phrasing while maintaining ensemble precision
  • Balancing independent part writing in a sectional framework
  • Responding to song structure rather than traditional form conventions

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