Tomorrow (from Annie) (arr. Ed Lojeski): 2-Part Choral Octavo

Lojeski captures the tender vulnerability of this iconic song without oversimplifying it. The two-part voicing sits naturally for developing singers, yet the harmonic sophistication and text underlay demand real attention to phrasing and interpretation. It's a piece that feels achievable in rehearsal but sounds mature in performance.

Intimate and hopeful, with a quiet resilience that builds without ever becoming bombastic. The stripped-down orchestration places full weight on the singers' ability to convey sincerity through clean, sustained singing.

Middle and high school choirs seeking accessible Broadway repertoire with genuine musical substance. Singers need only basic part-singing skills and comfort with contemporary popular song, making this ideal for groups building confidence in musical theater literature.

• Shape the melody with legit breath support rather than relying on dynamic markings alone. The simplicity of the line requires singers to own every phrase emotionally.
• Balance the second part carefully so it supports rather than competes with the melody. Many singers will want to sing too heavily here; encourage them to think of themselves as the foundation.
• Let the harmonic movement breathe naturally. Resist the urge to race through sections that might feel sparse compared to fuller arrangements.

Include this on a concert exploring musical theater storytelling, pairing it with other character moments from Broadway. Its brevity and emotional impact also make it work as an opening number that sets a reflective tone before moving into faster material.

• Sustaining legit singing through simple, exposed melodic lines
• Balancing melody and harmony in a two-part texture
• Text interpretation and emotional expression within a familiar song
• Connecting with contemporary musical theater repertoire