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Tomorrow: String Orchestra Conductor Score

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Tomorrow Cover Image

Tomorrow: String Orchestra Conductor Score

Lyrics by Martin Charnin, music by Charles Strouse / arr. Michael Kamuf

Grade: 2.5

Item: 00-49918S

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Description
Bring one of the all-time greatest Broadway melodies to your students and audience! This setting of Tomorrow, arranged by Michael Kamuf, captures the power and hope of the anthem from Annie. Drumset and percussion add to the drive and color of this arrangement which is sure to become a favorite. (2:45)

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-6151-9
ISBN13: 978-1-4706-6151-9
UPC: 038081578576
SKU: 00-49918S

More about this title

About the Composer: Charles Strouse

Charles Strouse composed the music for Annie, one of Broadway's most enduring musicals, which premiered in 1977 and won the Tony Award for Best Musical. His gift for writing memorable melodies that resonate across generations makes him a fixture in American musical theatre, and his work continues to be performed in schools and professional venues worldwide.

Strouse's compositions demonstrate a gift for emotional directness paired with sophisticated harmonic writing. Teachers and conductors return to his scores repeatedly because they combine accessibility with genuine theatrical impact, making them invaluable for building student engagement and musical literacy.

Why we love this

This arrangement captures everything that makes "Tomorrow" transcendent: the climbing melodic line, the relentless forward momentum, and that unmistakable sense of hope. Kamuf's orchestration for strings with drumset and percussion gives a contemporary energy to a classic, making it feel fresh without losing what made the song iconic. Your students will recognize it immediately, and the Grade 2.5 level means your ensemble can execute it confidently while still feeling the full emotional weight.

What to expect

Optimistic and driven, with the kind of infectious energy that builds momentum through repetition and orchestral color. The arrangement sparkles with contemporary touches from the percussion while the string writing preserves the tenderness of the original melody, creating a balance between celebration and vulnerability that makes the piece emotionally compelling.

Who it's for

String orchestras at the intermediate level seeking repertoire that resonates with audiences and students alike. Directors programming concert variety will find this works equally well on a spring pops concert, a Broadway-themed performance, or an assembly program where familiarity with the material builds student confidence and audience connection.

How to get the most out of it

  • Establish the tempo early and maintain it steadily throughout. This song's power comes from its relentless drive, so avoid dragging or slowing down, especially as the ensemble gets louder.
  • Balance the melody across the ensemble so it sings through clearly. Whether the tune sits in violins, violas, or cellos in different sections, it must never disappear beneath the accompaniment.
  • Work the drumset and percussion parts as if they're an independent section. Their rhythmic precision and color are essential to the contemporary feel; rehearse them separately if needed, then lock them in with the strings.
  • Shape phrases musically rather than mechanically. This is a Broadway song, not a march, so look for natural breathing points and allow small tempo flexibility around emotional peaks.

How to use it

Place this as a program closer or opener on a concert where you're mixing standards with lighter fare. It pairs naturally with other pop or contemporary arrangements, and its three-minute duration makes it a solid anchor piece without demanding lengthy rehearsal time from your schedule. The recognizable melody also makes it an excellent choice for performances involving families or non-traditional audiences who may be less familiar with classical repertoire.

Skills your students will build

  • Playing sustained melodic lines with consistent intonation across the ensemble
  • Coordinating rhythmic precision with percussion in a contemporary pop context
  • Balancing string voices when the primary melody migrates between sections
  • Maintaining tempo consistency and forward motion through repetitive material
  • Responding to dynamic and textural contrast in theatrical music

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