Together We Are Better (When We Sing) Sheet Music Preview

Together We Are Better (When We Sing): Choral Instrumental Pak

By Greg Gilpin

Item: 35-PK01381013

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$35.00

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Description
Originally written and premiered at Carnegie Hall by the composer, this is the ultimate choral for musical unity! Set in a very rhythmic style with optional percussion parts, it can be sung a cappella or with piano. The text is a wonderful mix of Swahili and English singing, "Together we are better, friend to friend, heart to heart." In any voicing, this one will rock your concert with energy and sound!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK01381013

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin has established himself as one of America's most performed choral composers, with conducting credits spanning Carnegie Hall, Lincoln Center, the Sydney Opera House, and Royal Festival Hall. An ASCAP award-winning composer and arranger, he directs educational choral publications for Shawnee Press while maintaining an active conducting schedule across major venues internationally.

Beyond the concert hall, Gilpin has expanded his creative reach into film scoring, most recently composing the award-winning score for the short film "Rosie's Rescue." He holds leadership roles in ACDA, NAfME, and SAG-AFTRA, and continues to balance his work as a conductor and composer with other professional pursuits, including founding his own organizing business. A Life Loyal Member of Phi Mu Alpha Sinfonia, Gilpin remains committed to fostering musical excellence across multiple platforms.

Why we love this

Gilpin's text pairing of Swahili and English creates an immediate sense of cultural bridge-building, turning the piece into more than performance material and into an actual statement about connection. The rhythm-forward writing gives student singers something concrete to lock into, which means the unity message lands aurally as well as textually; they actually feel the togetherness through the musical fabric itself.

What to expect

This piece radiates kinetic joy. The rhythmic language feels modern and accessible without sacrificing sophistication, while the message of human connection arrives without preaching. Singing it creates momentum that carries performers through the final phrase.

Who it's for

High school and college choirs looking for repertoire that combines contemporary energy with genuine meaning. Directors seeking pieces that engage performers in something beyond technical display, and that can scale from intimate a cappella performance to full instrumental arrangement.

How to get the most out of it

  • Let the percussion parts drive the groove even in early rehearsals, even if you're eventually performing a cappella. The rhythmic blueprint will cement the piece's character in singers' minds.
  • With mixed language text, isolate the Swahili passages in sectional rehearsal and have singers understand the meaning of what they're singing. Ownership of the text deepens the commitment to the message.
  • Balance the energy level against clarity; this style can tempt singers to rush. Set a steady pulse and enforce it through dynamics so that the piece feels propulsive without losing articulation.
  • If adding piano or percussion, rehearse several times with accompaniment before the dress rehearsal. The added texture shifts how singers hear their own lines.

How to use it

Program this as a second-half opener to lift energy after a more introspective group of pieces, or close a concert with it to send the audience out energized. It works equally well at festival competitions, concert settings, or community engagement events where the text's inclusivity resonates with your audience.

Skills your students will build

  • Reading and sustaining syncopated rhythmic patterns across multiple voices
  • Pronunciation and musical interpretation of non-English text
  • Ensemble precision in a contemporary choral idiom
  • Textural awareness when adding or removing instrumental accompaniment
  • Cross-cultural musical expression

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