Today Was A Fairytale Sheet Music Preview

Today Was A Fairytale: SSA Choral Octavo

By Taylor Swift / Arranged by Mark Brymer

Item: 35-DS00152024

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00152024

More about this title

About the Composer: Taylor Swift

Taylor Swift wrote and recorded "Today Was A Fairytale" for the 2010 film Valentine's Day, establishing herself as a songwriter who could craft narratives with both emotional specificity and broad appeal. Her songwriting draws from personal experience and observation, a practice she developed throughout her career across multiple genres and has become a model for contemporary songwriters in music education contexts.

Why we love this

Mark Brymer's arrangement captures the infectious optimism of the original without oversimplifying it, making this a genuinely fun choice for SSA choirs who want to perform repertoire their singers actually connect with. The piece sits well for younger voices and intermediate ensembles, offering accessibility without condescension.

What to expect

Bright and hopeful, with a dreamy quality that matches the fairytale concept. The piece has the warmth of a first crush captured in song, complete with the giddy energy and gentle vulnerability that makes the original so appealing.

Who it's for

SSA and SSAA choirs at the middle school through early high school level, and any ensemble looking for contemporary pop music that works for female or mixed voices. This arrangement suits directors who want to program something their singers recognize and genuinely enjoy.

How to get the most out of it

  • Keep the tempo bouncy but controlled; the charm lives in the rhythmic lift, not in rushing the phrases.
  • Balance the SSA voicing so the melody stays prominent even when all three parts are moving; younger singers often disappear into the harmony.
  • Shape the storytelling arc of the lyrics rather than treating each section as equally important; the narrative builds toward the final realization.

How to use it

Consider this for winter or spring concerts where you want a contemporary break from traditional choral repertoire, or as an opener that immediately engages your audience. It pairs well with other pop arrangements or as a standalone showcase for your SSA voices.

Skills your students will build

  • Phrasing across longer melodic lines without breaking for breath
  • Balancing melody against harmonic accompaniment in three-part voicing
  • Connecting lyrical storytelling to musical interpretation in contemporary styles
  • Ensemble blend when multiple parts move independently

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