Toccata (from <i>Symphony No. 5</i>) Cover Image

Toccata (from <i>Symphony No. 5</i>): 6 Trumpets & Organ Score & Parts

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Toccata (from <i>Symphony No. 5</i>) Cover Image

Toccata (from Symphony No. 5): 6 Trumpets & Organ Score & Parts

By Charles-Marie Widor / arr. David Marlatt

Level: Medium

Item: 81-TE11199

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Description
Widor was a French organist, composer, and teacher. Widor is best remembered today for this famous "Toccata" from his Symphony for Organ No. 5, which is often played as a recessional at wedding ceremonies.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 20
ISBN10: 1-55473-714-1
ISBN13: 978-1-55473-714-7
UPC: 685462017157
SKU: 81-TE11199
Instrumentation: 6 Trumpets & Organ

More about this title

About the Composer: Charles-Marie Widor

Charles-Marie Widor (1844-1925) was a French organist and composer whose command of the organ literature shaped how the instrument was understood in the concert hall and the church. His ten symphonies for organ remain central to the repertoire, and his teaching at the Paris Conservatoire influenced generations of French composers and organists.

The Toccata from Symphony No. 5 has become one of the most recognizable pieces in Western music. Its driving energy and brilliant technical writing have made it a standard choice for recessionals, celebrations, and concert finales, proving that a single movement can outlive its parent work in the public imagination.

Why we love this

David Marlatt's arrangement captures the electric momentum of Widor's original without asking for advanced players. Six trumpets over organ create a sound that feels ceremonial and celebratory at once, and the part-writing distributes the musical material so that no single player carries the entire burden. Brass ensembles rarely get to claim pieces this famous.

What to expect

Propulsive and ceremonial. The piece moves with the unstoppable momentum of a grand procession, its cascading sixteenth-note figures catching light like a chandelier in motion. Beneath the trumpet sparkle sits the organ's solid harmonic foundation, grounding the brightness in something majestic and timeless.

Who it's for

Brass ensembles with intermediate technical facility and reliable access to an organ or organist. This works equally well for community bands and college brass quintets that want to expand to six players, or for church music programs planning a festive voluntary.

How to get the most out of it

  • Establish the organ's tempo and rhythmic foundation early in rehearsal; trumpet players need that constant harmonic anchor to lock in the relentless energy of the piece.
  • Balance the six trumpet parts so that no voice dominates the texture; this is an arrangement about transparency and layered brilliance, not massed sound.
  • Shape the opening phrase with a clear lift between the upbeat figure and the main theme to distinguish the introduction from the toccata proper.
  • Sustain the forward momentum through the return sections; resist the urge to ritard into the final cadence until the very last measure.

How to use it

This is a natural finale for a concert, especially one celebrating brass or featuring organ music. It works as well at a wedding or formal ceremony as it does on a brass band contest program, and its duration and level make it feasible for a festival where rehearsal time is limited.

Skills your students will build

  • Articulation control across sustained sixteenth-note passages
  • Blend and balance within a multi-part trumpet texture
  • Ensemble awareness of organ accompaniment as harmonic anchor
  • Staccato-legato alternation and rhythmic precision
  • Dynamic control in brilliant, high-register writing

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