To Shutt Up This Circle Sheet Music Preview

To Shutt Up This Circle: SATB Choral Octavo

By Nico Muhly

Item: 35-DS01662391

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$5.95
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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS01662391

More about this title

About the Composer: Nico Muhly

Nico Muhly is an American composer known for his prolific output across opera, choral music, and instrumental works. His writing is marked by accessibility without compromising compositional sophistication; he moves fluidly between contemporary classical idioms and direct melodic expression, making his work rewarding for both professional ensembles and student choirs.

Muhly has established himself as a major voice in 21st-century choral music, with works performed internationally by groups ranging from the New York Philharmonic to collegiate and secondary choirs. His approach to text setting prioritizes clarity of language and emotional directness, qualities that make his scores engaging for singers still developing their interpretive range.

Why we love this

Muhly constructs this piece with the kind of melodic generosity that keeps singers engaged across all four parts, avoiding the thankless inner-voice writing that can plague contemporary choral scores. The text setting feels inevitable rather than imposed, which means rehearsal time goes toward musical expression rather than decoding compositional intent.

What to expect

The music unfolds with a sense of architectural clarity; clean lines and transparent sonorities create a feeling of inevitability rather than experimentation. There's an underlying lyricism here that connects to art song sensibility, giving the piece an intimate quality even within full four-part writing.

Who it's for

This works for advanced high school choirs and college ensembles with solid ensemble discipline and rhythmic security. The piece rewards groups comfortable with contemporary harmonic language and interested in 21st-century choral repertoire that remains accessible to audiences.

How to get the most out of it

  • Balance the harmonic progression carefully in the opening phrases; Muhly's voice leading often obscures the root position, so singers need to hear where their line sits within each chord rather than relying on instinct.
  • Pay attention to text underlay in dense passages; the words should feel sung, not rattled off, even when multiple syllables stack in the same beat.
  • Shape phrases with the phrase marks as your primary guide rather than harmonic function. Muhly's phrase architecture often contradicts traditional cadential expectations.

How to use it

Consider this for a concert centered on contemporary American composers, where it sits comfortably alongside other recent choral works. The 15-page format suggests a substantial anchor piece rather than filler, making it ideal for a themed second half or as the centerpiece of a focused program.

Skills your students will build

  • Reading contemporary harmonic language with non-functional progressions
  • Maintaining independent melodic lines in transparent textures
  • Ensemble intonation in open chord spacing
  • Text-focused interpretation in modern settings

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