To Love And Be Loved (from Some Came Running): E-Z Play Today

Tender and introspective, with the unhurried elegance of mid-century cinema scoring. The harmonic language speaks of longing and contentment held in the same moment, inviting contemplative playing.

Intermediate pianists drawn to American standards and classic film music will find an accessible entry point here. This works equally well for students exploring songbook literature or pianists preparing simple arrangements for small ensembles.

• Shape the melody with careful attention to phrase length rather than mechanical note-reading; these longer lines need breathing room to sing.
• Let the accompaniment sit quietly beneath the right hand so the vocal quality of the tune emerges naturally.
• Approach tempo flexibly in the opening, settling into a comfortable pace that lets the harmony resonate without rushing through changes.

Pair this with other standards in a lighter concert set, or feature it as an interlude between more demanding works. The modest three-page length makes it ideal filler when you need something warm and recognizable that doesn't demand heavy rehearsal time.

• Reading and executing jazz chord voicings in piano layout
• Balancing melodic line against harmonic accompaniment
• Interpreting rubato and phrasing in lyrical popular music
• Managing hand independence when melody and accompaniment occupy similar ranges