Titanium (feat. Sia) (arr. Deke Sharon, David Wright): SSAA Choral Octavo

This arrangement captures the raw emotional core of 'Titanium' without relying on electronic production, forcing singers to deliver the song's defiant message through pure vocal conviction. The SSAA voicing sits beautifully in the soprano range while remaining technically accessible, making it viable for both developing and advanced ensembles.

Sparse and vulnerable at first, the piece gradually accumulates vocal texture until it swells into a declaration of resilience. The melody carries an almost anthemic quality, delivering emotional payoff through clarity and unity rather than complexity.

Contemporary choirs seeking repertoire that resonates with student musicians and audiences alike will find 'Titanium' immediately relevant. This arrangement works equally well for treble ensembles wanting modern crossover material or mixed groups programming a pop-influenced concert.

• Shape the opening phrases with restraint; the drama builds through the arrangement's layering, not from immediate intensity.
• Lock the melodic line across voices before adding harmonies. Sia's original sits high and needs to cut through, even in octavo form.
• Treat the final section as a moment of vocal liberation rather than a power ballad climax. The defiance is personal, not bombastic.
• Use the dynamic shifts marked in the score as structural signposts for your singers, not as afterthoughts.

Pair this with other contemporary pop arrangements to create a cohesive set, or position it as a standalone moment that bridges classical concert repertoire and modern listening habits. It works particularly well in spring concerts or as a season closer, where emotional directness lands powerfully.

• Singing sustained phrases with emotional authenticity
• Building harmonic density through careful vertical balance
• Reading simple but effective arranging choices in contemporary style
• Maintaining ensemble blend while carrying a prominent melodic line