'Tis the Season to Get Funky Cover Image

'Tis the Season to Get Funky: Jazz Ensemble Conductor Score & Parts

$45.00 USD
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'Tis the Season to Get Funky Cover Image

'Tis the Season to Get Funky: Jazz Ensemble Conductor Score & Parts

Traditional Welsh Carol / arr. Ryan Meeboer

Level: Easy

Item: 81-JB22322

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Description
'Tis the Season to Get Funky (Deck the Hall) is a slower, laid-back version of the popular Christmas song. This is a clever and creative treatment of a holiday favorite by Ryan Meeboer. (2:05)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-999-4
ISBN13: 978-1-77157-999-5
UPC: 685462030002
SKU: 81-JB22322

More about this title

Why we love this

Meeboer's approach strips away the brisk, familiar energy of "Deck the Hall" and rebuilds it as a groove-based exploration. The slower tempo and jazz vocabulary make this feel like a discovery rather than a rehash, giving your ensemble permission to sit in the pocket instead of rushing through a holiday standard.

What to expect

Relaxed and intentional, like walking through a winter landscape without rushing. The tune remains recognizable but stripped of its march-like character, replaced by a floating, groove-centered sensibility that invites players to listen to each other and settle into a pocket.

Who it's for

Jazz ensemble directors working with Grade 2 ensembles who want holiday programming that feels contemporary and musician-friendly. Students gain exposure to groove-based arranging and the vocabulary of laid-back jazz without tackling complex harmonic or rhythmic challenges.

How to get the most out of it

  • Lock the rhythm section first. The groove depends on the bass and drums committing to a consistent feel before horns layer on top.
  • Shape the melody to breathe. Even at a laid-back tempo, phrasing matters; resist the urge to flatten out articulation across the whole section.
  • Balance the soloing space. If the arrangement includes improvisation or featured passages, rehearse transitions between ensemble and solo sections so the ensemble doesn't overshadow individual voices.
  • Use dynamics to frame the arrangement. A slower tempo can feel sluggish if every section sits at the same volume; dynamic contrast keeps the music moving.

How to use it

Place this in the second half of a winter concert where you're blending traditional and contemporary holiday material. The accessible level and shorter duration (2:05) make it ideal for a set that includes both classical and jazz holiday treatments, showing students and audiences how a familiar carol can be reimagined.

Skills your students will build

  • Understanding jazz phrasing and articulation in a melody-based context
  • Locking into a groove and maintaining rhythmic consistency with section partners
  • Balancing ensemble blend while playing at a slower tempo
  • Reading and performing jazz notation and style markings

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