Times Trans-shifting: Full Orchestra Conductor Score & Parts
Arranged by Randall Shinn
Item: 35-PK00272685
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Times Trans-shifting - Full Score | $4.25 | |
| Times Trans-shifting - Flute | $2.30 | |
| Times Trans-shifting - Flute | $2.30 | |
| Times Trans-shifting - Oboe | $2.30 | |
| Times Trans-shifting - Oboe | $2.30 | |
| Times Trans-shifting - Clarinet | $2.30 | |
| Times Trans-shifting - Clarinet | $2.30 | |
| Times Trans-shifting - Bassoon | $2.15 | |
| Times Trans-shifting - Bassoon | $2.15 | |
| Times Trans-shifting - F Horn | $2.30 | |
| Times Trans-shifting - F Horn | $2.30 | |
| Times Trans-shifting - F Horn | $2.30 | |
| Times Trans-shifting - F Horn | $2.30 | |
| Times Trans-shifting - Trumpet | $2.30 | |
| Times Trans-shifting - Trumpet | $2.30 | |
| Times Trans-shifting - Trombone | $2.30 | |
| Times Trans-shifting - Trombone | $2.30 | |
| Times Trans-shifting - Trombone | $2.30 | |
| Times Trans-shifting - Timpani | $2.15 | |
| Times Trans-shifting - Percussion | $2.30 | |
| Times Trans-shifting - Violin | $2.30 | |
| Times Trans-shifting - Violin | $2.30 | |
| Times Trans-shifting - Viola | $2.30 | |
| Times Trans-shifting - Violoncello | $2.45 | |
| Times Trans-shifting - Contrabass | $2.30 |
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Description
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More about this title
Why we love this
The restraint here is striking. Rather than inflate the emotional content with dense orchestration, Shinn lets the solemn procession unfold with space and clarity, trusting the players to shape the arc. Seven minutes feels neither rushed nor padded; the elegy simply takes the time it needs.
What to expect
A solemn gathering that moves without haste. The writing invites introspection; listeners feel the weight of each note rather than swept along by velocity. There is dignity in the restraint.
Who it's for
Orchestras seeking a contemplative work that sits comfortably within intermediate to advanced ranges. This suits concert programming when you need something that honors quiet intensity rather than virtuosity or spectacle.
How to get the most out of it
- Balance the texture throughout: with only single woodwinds and two horns, each section has prominence. Guard against the strings drowning out inner voices during climactic moments.
- Shape the procession as a slow, measured walk. Resist the impulse to accelerate. Stillness and weight matter more than momentum.
- Use the timpani sparingly as an anchor point for structural moments rather than as constant accompaniment. One well-placed stroke lands harder than a constant pulse.
- Conduct with the baton; let the orchestra breathe where the phrasing naturally opens. This piece rewards conductors who listen as much as they lead.
How to use it
Position this as a centerpiece to a concert devoted to reflection or as a bridge piece between contrasting works. It pairs well with other elegiac repertoire or stands alone as a moment of collective attention in a longer season.
Skills your students will build
- Maintaining consistent tone and intonation over extended sustained passages
- Responding to subtle conducting gestures and tempo inflections
- Balancing principal and secondary lines in a texture-light orchestration
- Executing careful dynamic control without the support of dense harmonic underpinning
- Shaping phrasing as an ensemble across different instrumental families