Time Warp Sheet Music Preview

Time Warp: SSA Choral Octavo

By Richard O'Brien / As performed by Glee Cast / Arranged by Tim Davis / Arranged by Adam Anders

Item: 35-DS00178009

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00178009

More about this title

About the Composer: Richard O'Brien

Richard O'Brien is a New Zealand musician, songwriter, and actor best known for creating The Rocky Horror Picture Show, the cult classic that revolutionized how audiences engage with musical theater. His work across theater, film, and television demonstrates a gift for blending humor, spectacle, and memorable melody into pieces that transcend their original medium. In music education settings, O'Brien's compositions offer students the rare opportunity to explore material that entertains while building genuine musical skills.

Why we love this

This arrangement captures the theatrical swagger and infectious energy that made the original such a phenomenon, and Tim Davis and Adam Anders have crafted an SSA version that feels singable without sacrificing personality. It's the kind of novelty piece that makes students actually want to come to rehearsal, yet it never talks down to them musically. Programming it creates an instant buzz, and audiences recognize it immediately.

What to expect

Campy and confident. The vocal writing has a swagger that invites performers to enjoy the absurdity while maintaining control and blend. It's theatrical without being precious, fun without being frivolous.

Who it's for

SSA or SSAA choirs looking for a concert piece with genuine audience appeal and theatrical flair. This works for groups at intermediate level and beyond who can handle the rhythmic precision and character required without sacrificing musicality.

How to get the most out of it

  • Lean into the rhythmic drive; this piece thrives on forward momentum and precise ensemble articulation rather than lyrical stretching.
  • Balance the wit in the text delivery with genuine musicality in the vocal lines; the novelty wears thin if it sounds like spoken word.
  • Use dynamic contrast to shape phrases and maintain clarity, especially in sections where parts move independently.

How to use it

This lands perfectly in a late-season concert or Halloween-themed program where you want to shift tone and energy. It also makes an excellent closer if you're programming a mix of serious and lighter fare, giving audiences a memorable send-off that shows your ensemble's versatility.

Skills your students will build

  • Rhythmic precision in syncopated figures
  • Character and expression in theatrical repertoire
  • Balancing ensemble unity with individual line clarity
  • Sustaining energy and momentum across longer phrases

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