Time to Get Up! Rag Sheet Music Preview

Time to Get Up! Rag: Piano

By Rebecca A. Pulju

Item: 98-DS4132

Digital Download
$2.50
Description
This short Pulju rag is meant to grab your attention. The introductory cross-hand keyboard run (written as a diminished 7th arpeggio) says, "Time to Get Up!" The perky theme which follows is helped along by bouncing L.H. staccato quarter notes and harmonies that are a little quirky. Are you UP! to the challenge?

Time to Get Up! Rag: Piano isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Spotlight Solo Sheets
Publisher: The FJH Music Company, Inc.
SKU: 98-DS4132

More about this title

Why we love this

Pulju nails the balance between technical interest and genuine fun. The opening diminished 7th arpeggio immediately signals energy and personality, while the quirky harmonies and bouncing left-hand staccato create a piece that students actually want to perform, not just practice through.

What to expect

Energetic and cheeky. The opening arpeggio feels like a musical alarm clock, and the perky theme bounces along with a wink. Quirky harmonies keep listeners engaged, preventing the piece from settling into predictable patterns.

Who it's for

Intermediate pianists ready to move beyond straightforward accompaniment patterns and into repertoire with personality and harmonic spice. Students who enjoy ragtime idioms or pieces that showcase left-hand independence will find genuine musical satisfaction here.

How to get the most out of it

  • Shape the opening cross-hand run with clarity and snap. The diminished 7th arpeggio needs to land decisively on the beat before the theme enters, so practice the hand crossover separately and nail the timing.
  • Keep the left-hand staccato quarter notes tight and rhythmic without rushing. These bouncing notes propel the piece forward, so consistency matters more than speed.
  • Lean into the quirky harmonies by listening carefully to their color. They're the personality of the piece, so don't play over them with a heavy touch; let them ring with character.
  • Use the tempo marking (if provided) as a starting point, then adjust for clarity. A perky piece like this works best when the audience can hear the staccato definition and harmonic detail.

How to use it

Place this early in a recital to set an upbeat tone, or pair it with other character pieces that explore non-traditional harmonies. Its short length and punchy personality make it ideal for student showcases or casual performance venues where audiences appreciate humor and style alongside technique.

Skills your students will build

  • Cross-hand keyboard runs and hand independence
  • Left-hand staccato articulation and rhythmic control
  • Reading and performing non-diatonic harmonies
  • Rag idiom and syncopated rhythmic patterns

You May Also Like