Time Heals All Wounds Sheet Music Preview

Time Heals All Wounds: TTBB Choral Octavo

Arranged by Emily Crocker

Item: 35-DS00389914

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00389914

More about this title

About the Arranger: Emily Crocker

Emily Crocker

Emily Crocker spent 15 years teaching music across all grade levels in Texas public schools before transitioning into publishing. At Hal Leonard, she shaped choral music education for nearly three decades, ultimately serving as VP of Choral Publications before retiring in 2017. Her work extended beyond the office through founding and directing the Milwaukee Children's Choir from 1994 to 2009, followed by the Vocal Arts Academy of Milwaukee from 2009 to 2015.

As a composer and arranger, Crocker has built an international reputation for creating accessible yet musically substantial choral works. Her contributions to choral pedagogy have influenced how generations of students encounter repertoire. She now composes and advocates for the arts from her home in Fort Worth, Texas.

Why we love this

Crocker's arrangements consistently respect the text while making room for genuine musical interest across all voice parts. The flexible voicing options (TB, TTB, TBB, TTBB) mean you can program this with confidence regardless of your roster's particular strengths on any given year. The African roots of this piece give it cultural weight without requiring specialized knowledge from your singers.

What to expect

The arrangement carries a quiet dignity. There is introspection in the harmony and a sense of moving through difficulty with grace. The African musical DNA feels present without overshadowing the lyrical content of the title.

Who it's for

This octavo serves men's choirs of mixed experience looking for repertoire with cultural substance. It works equally well for concert settings where you want a piece that speaks to healing and resilience without resorting to sentiment.

How to get the most out of it

  • Study the rhythmic integrity of the original African idiom before rehearsing. Understanding where the pulse sits culturally will help your singers move through the arrangement with authenticity rather than mechanical precision.
  • Balance the harmonic layers by rehearsing the lower voices first, then layering in the upper parts. This ensures the foundation stays grounded when all four parts combine.
  • Explore dynamic contrast within phrases rather than treating entire sections at one level. The text carries emotional weight that responds to subtle shifts in volume and intensity.

How to use it

Pair this with spirituals or other repertoire rooted in African American musical tradition for a thematically coherent set. It also functions beautifully as a reflective moment in a mixed program, offering contrast to more energetic selections and giving audiences a chance to settle into the text's emotional resonance.

Skills your students will build

  • Sustaining legit tone through sustained harmonic passages
  • Balancing four-part homophonic textures with independent voice leading
  • Interpreting text that carries cultural and emotional meaning
  • Flexibility between octavo voicing options during rehearsal transitions

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