Timber: Baritone B.C. Sheet Music Preview

Timber: Baritone B.C.

As Recorded by Pitbull featuring Ke$ha

Words and music by Breyan Stanley Isaac, Priscilla Renea, Jamie Sanderson, Lukasz Gottwald, Henry Walter, Kesha Sebert, Armando Perez, Lee Oskar, Keri Oskar and Greg Errico [Pitbull; Ke$ha] / arr. Mike Story

Grade: 2 (Easy)

Item: 00-PC-0016491_BBC1

Digital Download
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Description
Here is the 2013 dance-pop hit from Pitbull featuring Ke$ha in a very playable but hip-sounding arrangement by Mike Story. With a definite western flavor, this solid chart features lots of rhythmic drive, and is perfect for the stands as well as for dance and drill teams. (1:45)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Timber: Baritone B.C. comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Big and Easy
Publisher: Alfred Music
Page Count: 116
SKU: 00-PC-0016491_BBC1

More about this title

Why we love this

Mike Story's arrangement captures everything that made the original infectious without asking your band to play above their level. Grade 2 charts of current pop hits are rare, and this one walks that line between accessibility and authenticity, giving students a song they actually want to play while staying within realistic technical demands.

What to expect

Modern and grounded, with a country-western edge that feels both playful and driving. The energy stays high without becoming exhausting, and the familiar melody hooks listeners immediately while the arrangement keeps the ensemble engaged with rhythmic textures and dynamic twists.

Who it's for

Directors looking for a contemporary hit that engages students without requiring virtuosic technique. This works for bands in Grades 2-3 who have solid fundamentals but limited time to prepare, and it's especially valuable for groups that perform at football games, pep rallies, or festivals where crowd connection matters.

How to get the most out of it

  • Lock the rhythmic foundation early in rehearsal. The western flavor depends on crisp articulation and precise timing across the section parts, so isolate the rhythm section (percussion and low brass) before bringing in the melodic voices.
  • Emphasize the swagger in the phrasing rather than playing it metrically straight. The groove comes from behind the beat in certain passages, so encourage players to listen to the original and develop a feel for where to sit rhythmically.
  • Balance the melody across the ensemble. With 116 pages of parts, multiple instruments will carry the tune at different moments; make sure the lead voice always projects while the supporting parts recede appropriately.
  • Pay attention to the dynamic contrasts that build tension through the arrangement. The chart uses dynamics to create shape, so resist the urge to play everything at concert volume and honor the written soft passages that make the hits land harder.

How to use it

Program this for a fall or spring concert when you want to grab audience attention with something contemporary and fun. It also pairs well on a football halftime show or pep assembly, where the 1:45 length fits perfectly into a tight performance slot.

Skills your students will build

  • Rhythmic accuracy in syncopated pop figures
  • Phrasing and articulation in contemporary grooves
  • Dynamic control and sectional balance
  • Reading parts in Grade 2 ensemble contexts

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