Tickletoe Cover Image

Tickletoe: Jazz Ensemble Conductor Score

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Tickletoe Cover Image

Tickletoe: Jazz Ensemble Conductor Score

By Lester Young / arr. Dave Wolpe

Grade: 4 (Medium Advanced / Difficult)

Item: 00-26882S

$12.00
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Description
Composed by Lester Young, arranged by Dave Wolpe, this swinger features the sax section. Plenty of sax soli, a tenor solo and the always wonderful Wolpe shout chorus. Lead trumpet range is to written high E-flat. Show off the saxes! This title is available in MakeMusic Cloud.

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Additional Details
Series: Premier Jazz Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081288673
SKU: 00-26882S

More about this title

About the Composer: Lester Young

Lester Young (1909-1959) revolutionized tenor saxophone playing and jazz composition through his cool, lyrical approach to improvisation. His relaxed phrasing and innovative harmonic sensibility influenced generations of jazz musicians and composers who followed, making him one of the most studied voices in jazz education.

Why we love this

Dave Wolpe's arrangement gives your saxophone section the spotlight they crave, built on a melody and harmonic language that swings hard without requiring your ensemble to navigate complex bebop changes. The shout chorus is the kind of moment that reminds audiences why big band jazz still commands a room, and the tenor solo feature adds character and individuality to your concert.

What to expect

Tickletoe swings with a confident groove and genuine joy. The piece moves between tight sax section writing and moments of individual expression, building to an energetic shout chorus that feels earned rather than forced.

Who it's for

Jazz ensemble directors at the advanced high school or college level who want to celebrate strong saxophone players and program a certified crowd-pleaser. Your rhythm section needs to be comfortable with swing style, and your lead trumpet should have secure range above the staff.

How to get the most out of it

  • Balance the sax section voicings carefully during the soli passages; these moments define the piece, so blend matters as much as attacks and releases.
  • Lock the rhythm section into a relaxed swing feel rather than rushing the tempo; Young's melodies breathe, and the band will swing harder with space than with pressure.
  • Cue the shout chorus precisely to keep the ensemble together through the ensemble figures; this is where ensemble control and energy pay off.
  • Feature your tenor soloist well ahead of the date so they have time to internalize the changes and develop their own voice through the solo section.

How to use it

This is a natural fit for a concert that celebrates the jazz ensemble's sax tradition, whether paired with other small-group features or performed alongside contrasting jazz standards. Consider programming it late in a set where the band is comfortable with each other and the audience has settled into the groove.

Skills your students will build

  • Swing articulation and phrasing across the sax section
  • Jazz improvisation from a lead chart perspective (tenor solo)
  • Sectional balance in homophonic sax voicings
  • Rhythmic precision and ensemble response in shout chorus figures
  • Stylistic interpretation of mid-tempo swing feel

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