Thy Will Be Done Sheet Music Preview

Thy Will Be Done: SATB Choral Octavo

Arranged by Peter Anglea

Item: 35-DS00405524

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$2.99
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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00405524

More about this title

Why we love this

Anglea's arrangement respects the hymnic integrity of the text while giving each voice part melodic interest. The a cappella voicing demands precision and blend from your singers, making this an excellent choice for groups ready to deepen their ensemble cohesion.

What to expect

A grounded, reverent setting that trusts the hymn text to carry the emotional weight. The four-part writing creates a warm harmonic envelope without unnecessary complexity, allowing the meaning of the words to resonate clearly.

Who it's for

Intermediate to advanced SATB choirs with secure intonation and comfort sustaining parts independently. Groups performing in worship, concert, or community settings will find this arrangement accessible yet rewarding.

How to get the most out of it

  • Establish a unison breath pattern before the first entrance; unanimity in breath support sets the foundation for blend across all four parts.
  • Balance the soprano line so it reinforces rather than dominates the harmonic movement. This keeps the spiritual weight in the text, not in a single voice.
  • Rehearse the inner voices (alto and tenor) as a unit first to solidify the harmonic language before layering soprano and bass.
  • Shape longer phrases with subtle dynamic contours rather than maintaining a static level; this prevents the a cappella texture from feeling static.

How to use it

This works beautifully as a centerpiece in a concert of sacred secular music or as a moment of reflection within a longer program. Its modest page count makes it an ideal pairing with contrasting contemporary works or with other hymn arrangements.

Skills your students will build

  • Sustaining independent vocal lines within an a cappella texture
  • Blending within SATB voicing while maintaining voice clarity
  • Intonation adjustments in four-part harmony without instrumental support
  • Phrasing and breath control in longer melodic passages

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