Thunder! Cover Image

Thunder!: SoundTrax Digital Audio Download

$26.99 USD
Sale price  $26.99 USD Regular price 
Skip to product information
Thunder! Cover Image

Thunder!: SoundTrax Digital Audio Download

Words and music by Sally K. Albrecht

Item: 00-A-00015337

$26.99
Digital Download
Description

Thunder!: SoundTrax Digital Audio Download isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015337

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades as a composer, conductor, and clinician with a distinctive approach to choral movement and expressivity. Her catalog includes more than 600 published choral works alongside 75 larger songbooks and musicals, earning her annual ASCAP Special Music Awards since 1987. She conducted honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and served as Director of School Choral, Vocal, and Elementary Publications for Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and has taught in music departments at Oakland University, Jersey City State College, and Meredith College. She has been honored with the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She and her husband, composer and arranger Jay Althouse, live in Wake Forest, North Carolina.

Why we love this

Albrecht writes choral music that captures dramatic tension without losing accessibility, and "Thunder!" delivers exactly that. The recorded accompaniment lets you rehearse immediately while your students learn the part, and the optional instrumental parts open doors for incorporating band or orchestra into your concert.

What to expect

Dramatic and visceral, with the kinetic energy of something in motion. The piece captures the raw power and unpredictability of a storm through sound and pacing, creating a performance moment that holds a room's attention.

Who it's for

This octavo works for choirs at all levels seeking repertoire with theatrical appeal and clear harmonic writing. It suits directors programming around weather, natural forces, or simply wanting a piece that engages audiences with vivid imagery and forward momentum.

How to get the most out of it

  • Study the recorded accompaniment first to understand the intended tempo and phrasing, then decide where your singers should lean into the drama and where they should pull back for contrast.
  • If you're using the instrumental parts, balance the choir so the text remains clear; Albrecht's writing typically supports text intelligibility even with full instrumentation.
  • Shape the dynamics to mirror the storm imagery in the title; resist the urge to go loud too soon, and let silence or sparse texture create the sense of something building.

How to use it

Pair this with other contemporary secular work to show range in a concert, or use it as a finale or near-finale when you need a piece with impact and momentum. It also works as a spring or fall concert anchor when programming thematic concerts around nature or weather.

Skills your students will build

  • Performing with dramatic intent and dynamic contrast
  • Balancing choral blend with clear text projection in expressive music
  • Working with recorded accompaniment to internalize tempo and phrasing

You May Also Like