Through the Mist: Concert Band Conductor Score & Parts
By Brian Balmages
Grade: 1
Item: 98-DB1420
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Through the Mist: Score | $10.00 | |
| Through the Mist: Flute | $7.00 | |
| Through the Mist: Oboe | $7.00 | |
| Through the Mist: Bassoon | $7.00 | |
| Through the Mist: B-flat Clarinet 1 | $7.00 | |
| Through the Mist: B-flat Clarinet 2 | $7.00 | |
| Through the Mist: B-flat Bass Clarinet | $7.00 | |
| Through the Mist: E-flat Alto Saxophone | $7.00 | |
| Through the Mist: B-flat Tenor Saxophone | $7.00 | |
| Through the Mist: E-flat Baritone Saxophone | $7.00 | |
| Through the Mist: B-flat Trumpet 1 | $7.00 | |
| Through the Mist: B-flat Trumpet 2 | $7.00 | |
| Through the Mist: F Horn | $7.00 | |
| Through the Mist: Trombone | $7.00 | |
| Through the Mist: Baritone/Euphonium | $7.00 | |
| Through the Mist: Baritone T.C. | $7.00 | |
| Through the Mist: Tuba | $7.00 | |
| Through the Mist: Bells | $7.00 | |
| Through the Mist: Percussion | $7.00 |
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Description
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More about this title
About the Composer: Brian Balmages

Brian Balmages has built an international reputation as a composer and conductor working across orchestral, band, and chamber repertoire. His works have been performed by ensembles ranging from professional orchestras to school groups in prestigious venues including Carnegie Hall, the Kennedy Center, and the Sydney Opera House. He received the A. Austin Harding Award from the American School Band Directors Association and won the 2020 NBA William D. Revelli Composition Contest. As an elected member of the American Bandmasters Association, he has guest conducted at the Midwest Clinic, College Band Directors Conference, and numerous state and international venues.
Balmages holds degrees from James Madison University and the University of Miami, institutions that have honored him with distinguished alumni recognition and commission opportunities. His music was performed at the 2013 Presidential Inaugural Prayer Service, and he currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.
Why we love this
Grade 1 doesn't mean musically simple when Balmages writes it. The harmonic language and artistic weight of this piece elevate a beginning band beyond what their technical facility would suggest they could accomplish. Young musicians feel like real musicians playing real music, and that's rare at this level.
What to expect
Atmospheric and contemplative, like watching light filter through fog. Despite its accessibility, the piece carries genuine emotional weight; the harmony shifts subtly beneath accessible melodies, creating a sense of something deeper unfolding.
Who it's for
Beginning band directors seeking repertoire that doesn't sound like a method book exercise. This works for groups at the threshold of their first year through young secondary ensembles looking for accessible concert material with artistic substance.
How to get the most out of it
- Let the opening breathe. The simple melodic lines work best when players shape phrases with natural phrasing rather than a strict, metronomic pulse.
- Balance the ensemble so sustained harmonies aren't overwhelmed by melodic instruments. Grade 1 bands often let the top line dominate; resist this.
- If your group is more advanced, experiment with subtle tempo flexibility through the mist-like passages. The piece rewards expressive interpretation without demanding virtuosity.
How to use it
Program this as a concert opener to establish mood, or pair it with contrasting energetic pieces to showcase your band's range. It's the kind of work that builds audience respect for young musicians because the music itself commands attention.
Skills your students will build
- Sustaining long tones with steady tone quality
- Listening to harmonic balance within the ensemble
- Shaping melodic phrases using breath and phrasing, not just note accuracy
- Reading simple rhythmic patterns across different instrument families
- Responding to conducting nuance and expressive gestures