Throne Of Praise Sheet Music Preview

Throne Of Praise: SATB Choral Octavo

As performed by Krissy Nordhoff / As performed by Chris Lockwood / As performed by Phillips, Craig and Dean / Arranged by Ed Hogan

Item: 35-DS00316403

Digital Download
$2.99

One moment…

Description

Throne Of Praise: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00316403

More about this title

Why we love this

Ed Hogan's arrangement captures the soaring energy of the original while making it genuinely singable for volunteer and school choirs. The SATB voicing sits in a friendly range and avoids unnecessary complexity, so your singers can focus on the text and the joy of the music rather than struggling with register shifts or awkward intervals.

What to expect

Jubilant and reverent at once, with the kind of melodic clarity that lets singers connect emotionally to the text. The arrangement supports moments of intimate harmony alongside passages of full, resonant praise that feel earned rather than forced.

Who it's for

Mid-level to advanced church choirs, school groups preparing sacred concert repertoire, and directors seeking a contemporary sacred work that bridges congregational familiarity with solid arranging craft. Works equally well for worship settings and concert performances.

How to get the most out of it

  • Balance the choir so the text remains clear through the fuller harmonic sections. These moments will naturally want to swell, but intelligibility matters more than volume.
  • Let the opening establish the song's character without rushing. Give the initial phrases space to breathe so the congregation or audience can settle into the emotional arc.
  • Mark the dynamics conservatively in rehearsal, then build outward. Octavos sometimes print conservative dynamic markings that work once your ensemble finds its natural energy.

How to use it

Program this alongside other contemporary sacred works for a modern worship concert, or pair it with a traditional hymn arrangement to create dialogue between old and new styles. It also works as a closing piece for spring concerts when you want to send the audience out with a sense of uplift and purpose.

Skills your students will build

  • Balancing SATB blend in a contemporary harmonic idiom
  • Sustaining legit vocal tone while maintaining rhythmic precision
  • Text projection in faith-based repertoire
  • Ensemble listening across four parts in full-voiced chords

You May Also Like