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Thriller: Jazz Ensemble Conductor Score & Parts

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Thriller: Jazz Ensemble Conductor Score & Parts

Words and music by Rod Temperton / arr. Mike Story

Grade: 1

Item: 00-50942

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Description
Yes, the Michael Jackson rock hit arranged for your young jazz band. Played around 114 BPM with modest ranges, nice voicings, and a written-out easy to play bass solo (cued for trombone or bari sax). This is an easy to play yet fun crowd pleaser for sure. (2:45)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Thriller: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
ISBN10: 1-4706-6971-4
ISBN13: 978-1-4706-6971-3
UPC: 038081591605
SKU: 00-50942

More about this title

About the Composer: Rod Temperton

Rod Temperton composed and produced music for Michael Jackson across multiple decades, shaping the sound of some of the most recognizable pop recordings in history. His work as a keyboardist, songwriter, and producer earned him induction into the Songwriters Hall of Fame and established him as a central creative force in 1980s popular music.

Why we love this

This arrangement respects the iconic groove and infectious energy of the original while scaling it perfectly for developing jazz ensembles. The accessible ranges, clear voicings, and inclusion of a written-out bass solo (with trombone or bari sax cue) mean your students get to play a genuine crowd pleaser without struggling through complex charts.

What to expect

The piece carries the iconic swagger of the original without any of the sophistication barrier. Straight-ahead swing grooves anchor the arrangement, allowing the band to feel the pocket and lock together, while the familiar melody and straightforward form keep focus on execution rather than complexity.

Who it's for

This chart works best for first-year jazz ensembles and developing high school groups that are building fundamental swing skills and section cohesion. It's equally at home in a classroom setting with mixed ability levels or as an accessible big band introduction for students encountering jazz ensemble playing for the first time.

How to get the most out of it

  • Lock the eighth-note feel early in rehearsal. The groove at 114 BPM depends on a steady, relaxed pocket rather than rushing; have your rhythm section practice the foundation separately before full ensemble runs.
  • Highlight the bass solo moment. Whether your player takes the written line or improvises off the cue, this passage gives the band a chance to shift from ensemble playing to accompaniment, which requires different listening skills and dynamic control.
  • Balance transparency with punch. The modest ranges and nice voicings mean every note lands; resist the urge to overplay and let the arrangement's economy work in your favor.
  • Use the Halloween context intentionally. If you're programming this for an October concert, the spooky theme gives students permission to bring character and attitude to their playing without overdoing it.

How to use it

Program this in an October or Halloween concert to energize your audience and show your ensemble's fun side. It also works as a bridge piece during a concert that mixes jazz standards with contemporary material, proving to your students and audience that jazz is a living, evolving language.

Skills your students will build

  • Playing groove-based swing eighth notes at a moderate tempo
  • Blending voicings and maintaining section balance in an ensemble context
  • Supporting and accompanying a featured soloist
  • Reading and executing written notation with stylistic accuracy
  • Listening and responding to rhythm section players while maintaining ensemble cohesion

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