Three Visions of Saint Mesrob Op. 198 for Violin and Piano Cover Image

Three Visions of Saint Mesrob Op. 198 for Violin and Piano: Violin & Piano

$20.95 USD
$20.95 USD
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Three Visions of Saint Mesrob Op. 198 for Violin and Piano Cover Image
Three Visions of Saint Mesrob Op. 198 for Violin and Piano: Violin & Piano

Three Visions of Saint Mesrob Op. 198 for Violin and Piano: Violin & Piano

By Alan Hovhaness

Item: 98-EP6603
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 1
ISBN10: 0-30-071616-8
ISBN13: 979-0-3007-1616-9
SKU: 98-EP6603

More about this title

About the Composer: Alan Hovhaness

Alan Hovhaness (1911-2000) was an American composer of Armenian descent whose prolific output spanned nearly seven decades. He wrote over 500 works across all genres, many drawing on Armenian folk traditions, Eastern modal systems, and spiritual themes that gave his music a meditative, otherworldly quality. His deep engagement with non-Western musical languages and his refusal to follow European modernist trends made him a singular voice in 20th-century American composition.

For music educators, Hovhaness represents an accessible entry point into contemporary classical music. His pieces, while sophisticated in conception, prioritize lyrical beauty and emotional directness over technical complexity. Violinists and pianists working with his music develop sensitivity to tonal color and sustained singing lines rather than virtuosic display.

Why we love this

Hovhaness crafted violin writing that sings rather than shows off, making this work rewarding for advanced students and recitalists alike. The pairing of violin with piano allows for genuine collaborative music-making without requiring a large ensemble or orchestra. The spiritual, introspective character of the piece gives performers a chance to explore depth of tone and interpretive maturity.

What to expect

The work evokes a journey through three distinct contemplative states, guided by Hovhaness's gift for sustained melodic writing. Each vision unfolds with quiet intensity, inviting the listener inward rather than outward. The harmonic language feels ancient yet fresh, grounded in Eastern modal thinking while remaining emotionally transparent.

Who it's for

Advanced violinists preparing recital repertoire or violinists seeking 20th-century works that emphasize lyricism over virtuosity. This piece suits conservatory students and professional recitalists who want to expand beyond the Romantic canon and explore American contemporary music with spiritual and cultural depth.

How to get the most out of it

  • Shape long melodic lines with subtle dynamic swells rather than dramatic gestures; Hovhaness rewards patience and tonal control.
  • Listen for the piano as a partner, not accompaniment. Balance the keyboard part so it supports without overshadowing the violin's sustained phrases.
  • Explore the piece's modal harmonic language by asking the pianist to bring out inner voices; this creates textural interest without added volume.

How to use it

Program this as a substantial solo recital work, perhaps anchoring a second half that explores non-Romantic repertoire. It pairs well with other American 20th-century pieces or alongside music from other cultures; Hovhaness's spiritual aesthetic bridges periods and styles naturally. The single-page format makes it ideal for inclusion in themed recitals centered on meditation, contemporary spirituality, or multicultural music.

Skills your students will build

  • Sustaining long melodic lines with tonal consistency across register changes
  • Balancing with piano accompaniment in chamber music contexts
  • Navigating modal harmonic language and unfamiliar tonal centers
  • Interpreting sparse notation with sensitivity to silence and space

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