Three To Get Ready Cover Image

Three To Get Ready: Conductor Score & Parts

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Three To Get Ready Cover Image

Three To Get Ready: Conductor Score & Parts

By Percy Hall

Grade: 2

Item: 36-20612593

$8.95
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Description

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891593-7
ISBN13: 978-1-57-891593-4
UPC: 660355151811
SKU: 36-20612593
Instrumentation: Three Snare Drums with Opt. Bass Drum and Cymbals

More about this title

Why we love this

Grade 2 percussion ensemble music that actually respects the instruments and the players is rare. Hall writes for snare drums with clear independence and purpose, creating parts that teach rhythmic precision without relying on gimmicks. The optional bass drum and cymbals give you flexibility to scale the piece to your ensemble's size and instrumentation.

What to expect

Energetic and rhythmically driven. The three snare drums create layered patterns that interlock without becoming overly complex, generating momentum and clarity that young percussionists find satisfying to execute.

Who it's for

Percussion ensembles at the Grade 2 level looking for repertoire that develops snare drum technique and ensemble listening skills without overwhelming younger or less experienced players. Directors who want a standalone piece for percussion that still works musically, not as mere technical drill.

How to get the most out of it

  • Establish a steady click at rehearsal one. The rhythmic clarity between the three snare parts depends on everyone locking into the same tempo.
  • Balance the three snare drum voices by checking each player's distance from the music stand and their stick height. Uneven seating geometry creates uneven articulation.
  • If you include the optional bass drum and cymbals, rehearse those parts separately first so they support rather than muddy the snare drum writing.
  • Work the stickings with your ensemble before running the full piece. Consistent sticking across similar rhythmic figures prevents the piece from sounding ragged.

How to use it

Program this as a showcase for your percussion section at a spring concert, or use it as an opener to a larger ensemble performance. It's direct enough to stand alone and rewarding enough that audiences stay engaged.

Skills your students will build

  • Reading multiple independent rhythmic lines simultaneously
  • Matching articulation and stick control across similar snare drum parts
  • Playing with consistent dynamic control at Grade 2 level
  • Listening to and locking rhythm with ensemble members

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