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Three Songs (Drei Lieder) [collection]: Full Orchestra, Conductor Score

$10.00 USD

Three Songs (Drei Lieder) [collection]: Full Orchestra, Conductor Score

Name: Three Songs (Drei Lieder) [collection]: Full Orchestra, Conductor Score
Brand: Alfred Music
SKU: 36-A269801
Price: 10.00 USD
Availability: InStock

By Johannes Brahms, ed./arr. by Willy Weide

Item: 36-A269801

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This arrangement for orchestra for Three Songs (Drei Lieder) by Johannes Brahms (1833-1897) has been completed by Willy Weide (1880-1910). Songs included: 1. Liebestreu (True Love), Op. 3, No. 1; 2. Wiegenlied (Lullaby), Op. 49, No. 4; Feldeinsamkeit (In Summer Fields), Op. 86, No. 2. A vocalist may be brought in to sing the solo along with the orchestra, though the solo vocal lines are also written into the instruments should a purely instrumental performance be preferred. Instrumentation: 2.2.2.2+CBsn: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Voice (opt.). Reprint edition.

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Series: Kalmus Orchestra Library

Publisher: Keiser Productions, Inc.

ISBN10: 8-89-270412-5

ISBN13: 979-8-89-270412-0

UPC: 659359671999

SKU: 36-A269801

Instrumentation: 2.2.2.2+CBsn: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Voice (opt.)

More about this title

About the Composer: Johannes Brahms

Johannes Brahms (1833-1897) stands as one of the most consequential symphonists and song composers of the Romantic era. His mastery of form, harmonic language, and orchestration shaped generations of composers who followed. Brahms wrote over 200 lieder during his lifetime, treating the genre with the same structural rigor and emotional depth he brought to his symphonies.

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Why we love this

This arrangement opens three beloved Brahms lieder to the full orchestra without sacrificing their intimacy. The optional solo voice keeps chamber music sensibility intact while allowing the orchestra to reveal the harmonic richness Brahms embedded in these songs. It's a smart programming choice for conductors seeking to feature art song in a larger ensemble context.

What to expect

Warm and contemplative. Liebestreu pulses with devotion, Wiegenlied cradles the ear in gentle motion, and Feldeinsamkeit opens wide vistas of pastoral reflection. Weide's orchestration respects the songs' character while enriching their harmonic context.

Who it's for

Conductors leading orchestras or advanced youth orchestras who want to program intimate vocal literature in a larger ensemble setting. This is also valuable for singers preparing Brahms lieder who want to hear how orchestrators reimagined their songs.

How to get the most out of it

Balance the solo voice to sit forward of the orchestra; these orchestrations support rather than overshadow the singer, so resist the urge to overfill the dynamic.
Shape phrasing across the full ensemble as you would in a chamber context. Brahms' writing rewards transparency and clear breathing points.
If performing without the optional soloist, ensure the principal instruments carrying the vocal melody speak with singing tone and phrase continuity.
Use Weide's orchestration to guide sectional balance; wind doublings often support but never overwhelm the strings.

How to use it

Program these as a group to explore Brahms' song writing at scale, or use individual songs to create variety within a larger concert. The optional vocal element makes them flexible for mixed concert programming: include the singer for one season, perform them purely orchestrally the next.