Three Pieces After Drawings by M. C. Escher Cover Image

Three Pieces After Drawings by M. C. Escher: Contemporary Small Ensemble

$31.95 USD
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Three Pieces After Drawings by M. C. Escher Cover Image

Three Pieces After Drawings by M. C. Escher: Contemporary Small Ensemble

For Bass Clarinet and Marimba (1985)

By Philip Grange

Item: 98-EP71506

$31.95
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 32
ISBN10: 0-57-701450-1
ISBN13: 979-0-5770-1450-0
SKU: 98-EP71506

More about this title

Why we love this

Grange's response to Escher's visual geometry translates beautifully into instrumental writing that rewards ensemble players with clear textures and surprising harmonic turns. The contemporary idiom never overwhelms the material; instead, it serves the drawings themselves, making this a compelling choice for programs that bridge classical and modern sensibilities.

What to expect

Intellectually curious and geometrically precise, yet accessible. The music moves between stillness and motion, reflecting Escher's paradoxical spaces where perspective shifts and patterns lock into place. There's a sense of discovery as harmonic relationships reveal themselves.

Who it's for

Chamber musicians and small ensemble directors seeking contemporary repertoire that engages with visual art. Clarinet players comfortable with modern idioms will find their voice integral to the ensemble's sound rather than subsidiary.

How to get the most out of it

  • Pay close attention to the interaction between clarinet and the other ensemble voices. Grange's scoring relies on transparency, so balance toward allowing each line its own space rather than blending.
  • Study the visual source material. Knowing which Escher drawing inspired each piece will inform phrasing and help the ensemble find unity in the work's conceptual framework.
  • Approach rhythmic precision as a musical value, not merely a technical requirement. Contemporary ensemble music often depends on exact articulation to create its intended character.

How to use it

This works exceptionally well on a recital that explores the intersection of visual and musical art, or as a substantial contemporary offering on a mixed chamber concert. The 32-page format suggests these pieces carry weight and substance without demanding a full orchestra.

Skills your students will build

  • Reading contemporary notation and rhythmic structures
  • Balancing clarity and blend in small ensemble textures
  • Responding to structural organization derived from visual art
  • Sustaining musical focus through music that prioritizes precision over traditional lyricism

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