Three Jazz Hymns (Come Down, O Love Divine; God Is Love/Love Divine; Let All Mortal Flesh): SATB Choral Octavo
Three Jazz Hymns (Come Down, O Love Divine; God Is Love/Love Divine; Let All Mortal Flesh) Sheet Music Preview

Three Jazz Hymns (Come Down, O Love Divine; God Is Love/Love Divine; Let All Mortal Flesh): SATB Choral Octavo

Arranged by Will Todd

Item: 35-DS00462864
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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 27
SKU: 35-DS00462864

More about this title

About the Arranger: Will Todd

Will Todd is a British composer and arranger whose work straddles classical composition, jazz idiom, and sacred music with rare fluency. His arrangements have become standard repertoire in choral programs worldwide, valued for their musical sophistication and their ability to honor source material while opening it to fresh harmonic and rhythmic possibilities.

Why we love this

Todd's jazz vocabulary here serves the hymns rather than overshadowing them. Each arrangement finds genuine spiritual weight in syncopated rhythms and chromatic voice leading, giving singers and listeners permission to experience these texts through a contemporary lens without sacrificing reverence.

What to expect

Familiar hymn melodies arrive clothed in jazz harmonies that feel both inevitable and surprising. The music swings gently, inviting singers and listeners into a space where tradition and innovation coexist, where sacred texts breathe new air.

Who it's for

SATB choirs seeking substantial repertoire that bridges traditional hymn singing with contemporary musical language. This works equally well in secular venues, church settings, and concert halls where adventurous programming attracts engaged audiences.

How to get the most out of it

  • Shape the jazz harmonies with attention to voice leading rather than treating them as decoration. Smooth part writing becomes audible only when each line sings with intention and breath control.
  • Balance clarity in the rhythm section figures with the melodic content. The jazz elements support the hymn tunes; they should enhance, not compete.
  • Take time in rehearsal to separate the harmonic language from the text meaning. When singers understand how Todd's chords reinforce the theology of each hymn, the arrangement coheres emotionally.

How to use it

Program these collectively as a suite exploring how hymn texts translate across musical idioms, or use individual arrangements as standalone pieces that add textural variety to a concert. The 27 pages give you substantial content for a meaningful program segment.

Skills your students will build

  • Navigating syncopated rhythms while maintaining phrase shape and text clarity
  • Reading jazz harmonies and understanding chromatic voice leading
  • Balancing swing feel with legit vocal production
  • Interpreting secondary dominants and extended jazz chords through lyrical singing
  • Coordinating sectional independence with collective harmonic color

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