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Three Chorales for Marimba: Mallet Instrument Book

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Three Chorales for Marimba Cover Image

Three Chorales for Marimba: Mallet Instrument Book

By Evelyn Glennie

Item: 12-0571515193

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Description
Evelyn Glennie's meteoric career as a solo percussionist has brought a new appreciation of percussion to audiences, not least through her own compositions and transcriptions. Her Three Chorales for Solo Marimba, now published for the first time, are hauntingly beautiful pieces, which take full advantage of the unique sonority of the instrument. Their simple chorale style makes them accessible to both the professional and the student player.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-51519-3
ISBN13: 978-0-571-51519-6
UPC: 9780571515196
SKU: 12-0571515193

More about this title

About the Composer: Evelyn Glennie

Evelyn Glennie is a Scottish percussionist who fundamentally changed how the world listens to percussion. Profoundly deaf since age twelve, she became the first percussionist to win a Grammy Award and has performed as a soloist with major orchestras globally. Her work bridges classical tradition and contemporary innovation, and she has been instrumental in commissioning and championing new percussion repertoire.

Beyond performance, Glennie is a prolific composer and arranger whose voice centers the marimba as a solo instrument deserving of the same depth and lyricism traditionally reserved for strings and winds. Her compositions reflect a deep understanding of the instrument's resonant capabilities and the visual-tactile dimension of percussion playing that informs her artistic vision.

Why we love this

These three pieces arrive as carefully crafted studies in restraint. Rather than exploiting the marimba's technical virtuosity, Glennie writes with genuine melodic substance, letting the instrument's warm timbre do the expressive work. The accessible chorale framework makes these equally valuable for a developing student building sound production and a seasoned soloist seeking repertoire with artistic integrity.

What to expect

Contemplative and luminous. The pieces unfold with the quiet dignity of a hymn, allowing the marimba's natural resonance to create an almost organ-like harmonic richness. There is restraint in every phrase, a refusal to overwhelm, that rewards attentive listening and careful execution.

Who it's for

Intermediate to advanced marimba students and professionals seeking solo repertoire that combines musical substance with technical accessibility. These works suit performers preparing for recitals, competitions, or concert showcases where artistic maturity matters as much as technical display.

How to get the most out of it

  • Listen closely to the sustain of each note; the marimba's decay is part of the musical statement, so resist the urge to reattack too quickly between phrases.
  • Balance the four-mallet technique against the simplicity of the harmonic progression. Precision in mallet control prevents muddiness in the sonority.
  • Shape each chorale line as you would a vocal line, with clear phrasing that respects the harmonic rhythm rather than treating each measure identically.

How to use it

Pair these with larger ensemble works to demonstrate the marimba's capacity for intimate, solo expression. A student recital benefits from their brevity and emotional weight; they fill a genuine gap in accessible, serious marimba solo repertoire and read beautifully alongside transcriptions or contemporary chamber works.

Skills your students will build

  • Four-mallet melodic playing with harmonic clarity
  • Controlling sustain and decay to shape musical phrases
  • Voice-leading awareness across chord changes
  • Sonority refinement through mallet selection and striking point
  • Reading and interpreting chorale-style accompaniment patterns

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