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Three Character Studies: Piano (Solo)

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Three Character Studies Cover Image

Three Character Studies: Piano (Solo)

for Piano

By Fred Hersch

Item: 98-EP68046

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Description

''Three Character Studies' are my first set of fully-notated piano pieces. They are studies in that each piece emphasizes a technical or pianistic element; they are 'character' studies because each one is inspired by someone I know. The 'Nocturne for Left Hand Alone' is for my longtime piano teacher, Sophia Rosoff; she has a special fondness for Rachmaninoff and Scriabin. 'The Little Spinning Song' is for fabric artist Penny Sisto. The 'Study in Thirds and Sixths' is for my cat, Spike; though he is now in the 'great litterbox in the sky,' this recalls his spirited and sneaky personality.' - Fred Hersch, 2004

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 24
ISBN10: 0-30-074956-2
ISBN13: 979-0-3007-4956-3
SKU: 98-EP68046

More about this title

About the Composer: Fred Hersch

Fred Hersch is a pianist and composer whose work bridges contemporary classical music and jazz idioms. His compositional voice draws on both traditions, creating pieces that are accessible yet harmonically sophisticated, and deeply personal in their inspiration.

Why we love this

These three pieces work because Hersch commits fully to a single technical focus in each one, making the pedagogical aim transparent without sacrificing musicality. Students see immediately that a study can be genuinely expressive, and teachers gain repertoire that develops specific skills while honoring the personalities and relationships that sparked the writing.

What to expect

The nocturne evokes the romantic introspection of Scriabin and Rachmaninoff through solo left hand writing. 'The Little Spinning Song' dances with a light, almost whimsical momentum. The final study in thirds and sixths sparkles with rhythmic playfulness, capturing spirited movement across the keyboard.

Who it's for

Advanced intermediate to early advanced pianists ready for pieces that reward close attention to texture and voicing. These studies suit students preparing for recitals or competitions who want repertoire that develops specific technical skills while remaining artistically satisfying.

How to get the most out of it

  • Attend to the left hand independence in the nocturne; since it carries the entire piece alone, clarity and singing tone must come from the lower register without harmonic support from the right.
  • Let the repetitive figures in 'The Little Spinning Song' maintain forward motion; resist the urge to slow down, which undercuts the kinetic energy the piece relies on.
  • Shape the scalar passage work in the study through subtle dynamic shaping rather than mechanical evenness; this transforms technique into music.

How to use it

Program these as a set in a student recital or spread them across different concerts to suit various programming needs. The nocturne pairs well with other contemporary romantic works; the spinning song works as a charming encore or bridge between larger pieces; the thirds and sixths study complements other contemporary technical repertoire.

Skills your students will build

  • Left hand independence and singing tone in solo voicing
  • Scalar and figuration evenness across both hands
  • Voicing clarity when playing thirds and sixths in rapid succession
  • Sustaining musical phrase within a single technical focus

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