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Three American Hymn Settings for Violin and Piano: Violin and Piano Book

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Three American Hymn Settings for Violin and Piano Cover Image

Three American Hymn Settings for Violin and Piano: Violin and Piano Book

By Lee Burswold

Grade: 3½

Item: 36-52710001

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Description
In Burswold's signature style, with open harmonies and chromatic shifts, these hymn settings will add elegance to any church service. Contents include: Fantasy on Sojourner, Variants on Beach Spring, and Wondrous Love.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361110-8
ISBN13: 978-1-63-361110-8
UPC: 654690584977
SKU: 36-52710001
Instrumentation: Violin and Piano

More about this title

About the Composer: Lee Burswold

Lee Burswold has built a reputation for chamber writing that respects traditional harmonic language while pushing gently against its boundaries. His work appears regularly in church settings and recital halls, where musicians appreciate both the accessibility of his writing and the sophistication embedded within it.

Why we love this

Burswold's approach to these familiar hymn tunes feels fresh without abandoning their spiritual character. The open harmonies and chromatic voice leading create a contemporary shimmer that elevates a church service beyond conventional organ arrangements, while remaining well within reach for violinists at this level.

What to expect

A contemplative, gentle exploration of familiar tunes through a modern harmonic lens. The open voicings breathe, while unexpected chromatic movement keeps the ear engaged, creating something reverent but not predictable.

Who it's for

Church musicians seeking repertoire beyond standard hymn arrangements, and violin students ready to engage with contemporary harmonic language in a liturgical context. These pieces work equally well in recital settings where you want to program American sacred music with interpretive depth.

How to get the most out of it

  • Shape the chromatic shifts deliberately; they're not passing tones but intentional color choices that need clarity from the violin line.
  • Balance the violin against the piano accompaniment carefully. The violin shouldn't fight the harmonic sophistication underneath, but lead with confidence.
  • Allow space in the open harmonies. Rushing these moments flattens the harmonic interest Burswold built into the texture.
  • Coordinate vibrato choices between violin and piano. Excessive vibrato can muddy the chromatic voice leading; cleaner tone serves the writing better.

How to use it

Use one of these settings as a special music offering during a church service, pairing it with congregational hymn singing for contrast. Alternatively, feature all three as a standalone concert pairing that showcases how American hymn tunes sustain meaning across different compositional approaches.

Skills your students will build

  • Balancing melodic leadership with accompaniment texture
  • Executing chromatic voice leading with tonal clarity
  • Interpreting open harmonies and their harmonic function
  • Ensemble intonation in non-traditional harmonic contexts
  • Shaping phrasing within sacred music traditions

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