This Will Be (An Everlasting Love): SSATTB, a cappella Choral Octavo

James Rose's arrangement honors the original's soul and sophistication while building something entirely new through its jazz voicings and equal distribution across six parts. This isn't a straightforward transcription; it demands serious musicianship from your singers and rewards that investment with moments of genuine ensemble magic.

Smooth, sophisticated, and just cool enough to feel contemporary while honoring a timeless love song. The a cappella texture brings warmth and intimacy, with jazz harmonies that shimmer and resolve in ways that feel both modern and soulful.

Advanced choirs with strong sight-reading skills and comfort with jazz harmony. Your ensemble needs six capable voices willing to lock into independent parts that weave together as a unified whole.

• Balance the six parts by rotating lead responsibilities across rehearsals. One singer shouldn't always anchor the melody; this arrangement thrives when different voice combinations emerge throughout.
• Nail the rhythmic precision before worrying about emotion. The stylized melody and jazz harmonies only land when the rhythm section (tenors and basses) sits rock solid.
• Listen closely to Accent's demo recording to understand the intended tone and phrasing. Their interpretation captures the contemporary feel without losing the song's romantic core.
• Mark breath points collaboratively with your ensemble. A cappella phrasing needs intentionality; staggered breathing keeps the line alive without sounding like gasping.

Perfect for a contemporary pop set or as a show-stopping closer that demonstrates your ensemble's versatility and polish. The accessible melody ensures audience connection while the harmonic complexity signals that your singers are serious musicians.

• Voice independence in complex jazz harmony structures
• Stylized melody interpretation and phrasing in a cappella context
• Rhythmic precision without instrumental support
• Balancing six-part voicing to maintain equal part prominence
• Ensemble intonation in chromatic and extended harmonic progressions