This Will Be (An Everlasting Love) Cover Image

This Will Be (An Everlasting Love): SATB Choral Octavo

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This Will Be (An Everlasting Love) Cover Image

This Will Be (An Everlasting Love): SATB Choral Octavo

Words and music by Marvin Yancy and Chuck Jackson / arr. Greg Gilpin

Item: 00-31084

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A kickin' gospel-style tribute to everlasting love! This can't-sit-still arrangement is true to the original Natalie Cole recording. Excitement from start to finish! "This will be the one I've waited for . . . the thrill of a lifetime!"

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081338569
SKU: 00-31084

More about this title

About the Composer: Marvin Yancy

Marvin Yancy was a prolific songwriter and producer who shaped the sound of 1970s and 1980s R&B and soul music. His collaborations with Chuck Jackson produced some of the era's most memorable pop-soul hits, including "This Will Be (An Everlasting Love)," which became a signature vehicle for Natalie Cole's vocal artistry. Yancy's gift for crafting accessible, hook-driven melodies made his songs natural choices for choral adaptation.

Beyond his chart success, Yancy's work demonstrated how popular songwriting could carry genuine emotional weight. His compositions remain staples in choral programs precisely because they balance commercial appeal with real musicality, giving singers meaningful material that connects with audiences of all ages.

Why we love this

Greg Gilpin's arrangement captures the infectious swagger of the original without requiring a rhythm section to drive it. The energy is built into the voice writing itself—stacked harmonies, rhythmic precision, and genuine movement in all four parts keep singers engaged and audiences in their seats. This is the kind of piece where your choir sounds like they're having as much fun as the audience watching them.

What to expect

Pure joy wrapped in a tight groove. The piece radiates optimism and confidence, with a rhythmic drive that makes you want to move. Singers feel the lift of block harmonies and the satisfaction of executing tight rhythmic passages together, while the familiar melody ensures audiences connect immediately.

Who it's for

Choirs at the intermediate to advanced level who want uplifting, contemporary repertoire with genuine musical substance. This works equally well for show choirs, jazz choirs, and traditional a cappella groups looking to add gospel-influenced pop to their repertoire.

How to get the most out of it

  • Keep the rhythmic pulse crisp and forward throughout. The groove lives in precise articulation and rhythmic clarity across all four voices, not in behind-the-beat phrasing.
  • Balance the soprano line against the lower voices, especially in sections where the melody sits above block harmony. The tune needs to ring through without drowning out the supporting harmony.
  • Shape the dynamics across entire phrases rather than dwelling on individual syllables. This gospel-style arrangement rewards generous, sweeping gestures that match the emotional arc of the text.
  • If using recorded accompaniment, ensure your choir has locked the key and tempo in rehearsal before adding it. The accompaniment sets a specific groove that requires confidence from your singers.

How to use it

Program this as a concert brightener in the second half of your show, where it will energize both singers and listeners after a set of more introspective pieces. Its 12-page format and accessibility make it a strong choice for spring concerts, pops concerts, or any program that celebrates contemporary American music.

Skills your students will build

  • Gospel rhythmic phrasing and syncopation
  • Balancing melody against sustained harmony voices
  • Executing tight rhythmic unison across all four parts
  • Navigating block chord voicings with blend and balance
  • Shaping longer phrases with dynamic momentum

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