This Time of the Year: 2nd B-flat Trumpet

Mark Hayes's arrangement captures the soulful warmth of the original while keeping the vocal lines singable and rewarding for mixed choirs. The piece balances nostalgic sentiment with bluesy sophistication, making it ideal for holiday concerts that want substance alongside festivity. Your singers will connect with the conversational storytelling in the verses and the broad, generous melody that invites expressive singing.

Bittersweet and reflective, the piece invites listeners into a specific moment of remembrance. The bluesy undertones give the melody a lived-in quality, while the warm harmonic palette creates an atmosphere of nostalgia without sentimentality. You're not singing about a generic holiday; you're sharing intimate recollections of Christmases past, framed by the promise of joy still arriving.

This arrangement works beautifully for mixed choirs at the intermediate to advanced level who want holiday repertoire with genuine musical substance. It's also ideal for jazz choirs, pop ensembles, or any group comfortable with R&B and jazz inflections. The piece appeals equally to directors seeking a program-opener that sets a sophisticated tone or a closer that lingers warmly in the audience's memory.

• Shape the verses as intimate snapshots rather than grand declarations; the strength lies in conversational warmth and specific memory, not volume or drama.
• Lean into the bluesy character with subtle rhythmic flexibility in the crooner melody; straight time can rob the piece of its essential character.
• Balance the harmonic richness in the chords without letting inner parts overwhelm the lyrical top line; clarity matters more than blend in this style.
• Consider how the recorded accompaniment sits in your performance space; the jazz ensemble sound requires room to breathe and will color the entire acoustical picture.

Position this in a holiday concert where you want to shift from celebratory energy into reflective territory, perhaps after more upbeat selections. Its jazz idiom and sophisticated harmony make it an excellent bridge between traditional carols and contemporary pop choral repertoire. It also works well as a concert-closer that sends audiences out with warmth rather than bombast.

• Singing with jazz phrasing and rhythmic flexibility
• Balancing bluesy inflection with clear diction
• Managing harmonic independence in jazz voicings
• Interpreting lyrical subtext and emotional nuance
• Responding to and blending with jazz accompaniment