This Little Light Of Mine Sheet Music Preview

This Little Light Of Mine: SATB Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS00144859

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00144859

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw is a composer and arranger whose work has shaped choral music education across North America and beyond. With advanced degrees in music education, choral composition, and conducting, he has built a career conducting vocal jazz ensembles at major universities, mentoring students through his signature blend of rigorous musicianship and infectious enthusiasm. His credits include directing the College of the Siskiyous Vocal Jazz Ensemble and founding similar programs at Colorado State University and the University of Missouri at Kansas City.

Shaw's catalog exceeds 2500 arrangements and original compositions, with his music performed worldwide and sales approaching 20 million copies. He has earned multiple ASCAP awards, collaborated with vocal luminaries including Bobby McFerrin and Al Jarreau, and recently completed a commission for the Mormon Tabernacle Choir. Beyond choral work, he co-authored an original musical adaptation of A Christmas Carol with his wife Markita and remains active in the jazz vocal ensemble Just 4 Kicks.

Why we love this

Shaw brings a sophisticated harmonic sensibility to this spiritual, allowing the melody to shine while adding vocal interest through carefully voiced inner parts. The arrangement respects the song's emotional core without overshadowing its accessibility, making it equally effective for church choirs and concert settings.

What to expect

The familiar melody carries warmth and sincerity, lifted by four-part harmony that feels both supportive and modern. There is an inherent joy in the writing, an invitation to sing with conviction without pretension.

Who it's for

SATB choirs seeking a program piece that connects with secular and sacred audiences alike. This arrangement suits ensembles ranging from community choirs to college programs looking for repertoire with immediate emotional impact and educational depth.

How to get the most out of it

  • Balance the melody in the soprano line so listeners hear the familiar tune clearly, even when inner voices carry supporting material.
  • Work the rhythmic precision of any syncopated figures in isolation with each section before combining voices; gospel idiom requires confident, clean attacks.
  • Shape the phrase arcs dynamically rather than staying at a single volume throughout; let the text and harmonic movement guide your crescendos and releases.

How to use it

Ideal as a centerpiece for a diverse concert exploring American vocal traditions, or as a closing number that leaves audiences with an affirming message. The piece also works beautifully in sacred settings where it can anchor a program of spirituals and contemporary inspirational music.

Skills your students will build

  • Singing gospel and spiritual idioms with authentic phrasing and articulation
  • Balancing ensemble blend when multiple harmonic lines move independently
  • Reading and performing rhythmic figures common to African American musical traditions
  • Managing dynamic shaping across longer phrases to maintain musicality

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