This Is The Life (from Golden Boy) Sheet Music Preview

This Is The Life (from Golden Boy): Piano Vocal

As performed by Charles Strouse

Item: 35-DS01624096

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS01624096

More about this title

About the Artist: Charles Strouse

Charles Strouse composed music for some of Broadway's most enduring musicals, including Bye Bye Birdie, Applause, and Golden Boy. His gift for melody and his ability to write songs that work equally well in the theater and the concert hall made him a fixture on the Great White Way from the 1960s onward. Strouse understood how to balance sophisticated harmonic language with accessibility, creating scores that actors could sing and audiences could remember.

For music educators, Strouse's catalog offers straightforward, rewarding material that doesn't condescend to young singers. His songs have clear dramatic intentions, logical phrase structures, and accompaniments that support rather than overshadow the vocalist. Teaching a Strouse song means teaching students how to serve a lyric and shape a melody with genuine theatrical awareness.

Why we love this

This song captures the infectious optimism that made Golden Boy a Broadway success, and the three-page vocal score is proportioned perfectly for classroom and performance use. The melody sits comfortably in a teachable range while the accompaniment gives pianists enough to work with without requiring advanced technique, making it an ideal choice when you need a number that works across skill levels.

What to expect

The number radiates that particular Broadway brightness of the 1960s, full of possibility and uncomplicated joy. It's the kind of song that asks you to smile without apology, with a melody that lands in the ear immediately and a harmonic language that supports rather than complicates the emotional arc.

Who it's for

Solo singers preparing audition material, voice students exploring musical theater repertoire, and singers who want a song with genuine charm and optimism. This works equally well as a concert selection or as part of a larger Golden Boy medley.

How to get the most out of it

  • Shape the phrases around the lyrical content rather than the harmonic changes; let the story breathe instead of hitting every chord change with equal weight.
  • Balance the vocal line so it floats above the accompaniment without forcing; Strouse's melodies carry themselves if you trust them.
  • Coordinate with your pianist on the tempo relationship between the introduction and the verse; a slight lift into the main theme often creates forward momentum.

How to use it

Pair this with other Strouse selections from his catalog, or use it as a bridge between classic musical theater and more contemporary songs when teaching song selection and interpretation. It also works beautifully in a program exploring optimistic Broadway numbers from the mid-20th century.

Skills your students will build

  • Sustaining a legit vocal sound through longer phrases
  • Phrasing around lyrical meaning rather than harmonic structure
  • Coordination between vocalist and pianist in a Broadway idiom
  • Interpretation of theatrical text with genuine character intention

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