This Is the Day of Resurrection!: Choral Instrumental Pak
By David Lantz III
Item: 35-PK00249175
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About the Composer: David Lantz III

David Lantz III brings classroom experience and compositional depth to his sacred music writing. Teaching vocal music in a Pennsylvania public school system while maintaining an active composing career, he has produced nearly 500 published works across multiple genres and ensembles. His range spans orchestral writing, symphonic band, jazz, and chamber music, paired with editorial and engraving work that demonstrates his technical command of the craft.
Beyond the printed page, Lantz remains an active musician, serving as church choir director and performing as a bassist and vocalist in pop and jazz settings. He shares his musical life with his wife, composer Marti Lunn Lantz, and their five musically engaged children ranging from early teens to young adults in northeastern Pennsylvania.
Why we love this
The brass instrumentation paired with choir creates immediate impact without requiring a full orchestra, making this accessible for many programs while maintaining the celebratory sound Easter requires. Lantz's direct approach to fanfare writing ensures the piece lands with clarity and energy, and the moderate 3-minute duration fits seamlessly into morning services or concert programs without dominating the schedule.
What to expect
Bright fanfare figures open the piece with the confidence of Easter proclamation, setting a joyful and ceremonial tone. The combination of brass and voices creates a sense of celebration that feels both contemporary and rooted in hymn tradition.
Who it's for
Directors seeking an original Easter anthem that delivers festive energy without excessive complexity will find this piece responsive and practical. High school and adult church choirs benefit from the straightforward vocal writing and short duration, while musicians at any level enjoy the celebratory brass sonorities.
How to get the most out of it
- Balance the choir against the brass section by positioning singers slightly forward in the performance space; the trumpet and trombone parts are written to support rather than overshadow.
- Lock the brass ensemble's rhythmic precision before full rehearsals with choir; the fanfare sections depend on tight articulation and unified breath control.
- Prepare singers for quick tempo adjustments if working without the ChoirTrax CD accompaniment; having a strong internal pulse from the rhythm section prevents drift during instrumental passages.
- Mark the transition points between choral and purely instrumental sections clearly in all parts; conductors benefit from explicit cues here to maintain ensemble cohesion.
How to use it
Use this to anchor an Easter Sunday service or spring concert opening; its festive character energizes audiences and singers alike while its duration allows room for additional repertoire. Pair it with reflective sacred pieces to create dynamic contrast, or program it as a finale to leave congregations or audiences in an uplifted mood.
Skills your students will build
- Singing against sustained brass figures while maintaining independent melodic line
- Responding to brass articulation cues for unified rhythmic entrance
- Balancing vocal resonance in concert with non-vocal ensemble sound
- Interpreting fanfare style and liturgical festive expression