This Is The Day Sheet Music Preview

This Is The Day: SATB Choral Octavo

As performed by Gerald Smith / As performed by Based on Scripture

Item: 35-DS00373752

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$2.75
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00373752

More about this title

Why we love this

Gerald Smith's setting draws spiritual substance directly from Scripture, giving your singers text that carries real weight without requiring a denominational affiliation. The four-part writing sits comfortably in most ranges while maintaining genuine harmonic interest, making it accessible for community choirs and church ensembles alike.

What to expect

Grounded and affirming. The harmonic language feels rooted in gospel traditions while remaining accessible; phrases build toward moments of genuine expression without veering into sentimentality. Singing this feels purposeful.

Who it's for

This octavo fits well in church music programs, community choirs, and festival settings where repertoire needs to honor spiritual substance without requiring specialized theology. It works equally for secular concert choirs looking for material with depth and inspiration.

How to get the most out of it

  • Anchor the text delivery on the scriptural phrases; let the meaning shape your phrasing rather than strict metric divisions.
  • Balance the parts carefully in sections where the harmony thickens; soprano and alto lines often weave together, so rehearse those pairs separately first.
  • Explore dynamic contrast between verses and refrains to prevent the piece from settling into one vocal color across its 14 pages.

How to use it

Use this as a anchor piece for a spring or holiday concert that emphasizes inspirational material, or pair it with instrumental accompaniment in a festival context. The 14-page length gives your ensemble substantial content to dig into during a rehearsal cycle without overwhelming shorter preparation timelines.

Skills your students will build

  • SATB voice independence in close harmony
  • Text clarity and emotional communication with scriptural language
  • Blend and balance across multiple sustained harmonic textures
  • Breath management in longer phrase structures

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