Keith Christopher has built a career spanning composition, arrangement, and music publishing that extends across choral, band, and orchestral genres. Since 1992, he has received annual recognition from the American Society of Composers, Authors, and Publishers, and his accolades include a Gold Record Award for "A Merry Christmas with Brass" with The Dallas Brass and a Dove Award for the choral collection "More Songs for Praise and Worship."
With hundreds of published works performed globally and over a thousand recordings produced for major music publishers, Christopher brings deep expertise in practical, singable music. He is also an author whose work includes the children's book "The First Christmas Night." He lives in Nashville with his wife, Tammy.
Why we love this
Christopher's gift for crafting singable, emotionally direct sacred music shines here. The piece sits comfortably for SSA voices while maintaining the harmonic richness and spiritual weight that makes gospel music resonate with both singers and audiences.
What to expect
Warm and affirming, with the musical directness that characterizes strong gospel writing. The piece invites singers and listeners into a moment of genuine spiritual expression, balancing accessibility with dignity.
Who it's for
This octavo works for intermediate to advanced SSA or SSAA choirs seeking accessible yet substantial sacred music. It serves well for concert programs, worship services, or festivals where you need a piece that sounds accomplished without excessive rehearsal demands.
How to get the most out of it
Balance the text clarity with the spiritual character of the piece. Christopher's lyrics carry the message; let your singers commit to the words without sacrificing the music's natural phrasing.
Shape the dynamic arc across sections to avoid a static performance. This piece gains power through intentional growth, not just louder singing.
Encourage voices to listen for the harmonic movement, especially in the SSA writing. Christopher's arrangements reward attention to inner parts.
How to use it
Pair this with other contemporary sacred works for a program focused on faith and celebration, or use it as an uplifting closer that sends audiences out with purpose. The eight-page length makes it substantial enough to anchor a set without overshadowing lighter fare.
Skills your students will build
Gospel and contemporary sacred idiom, including characteristic rhythmic and harmonic language
Ensemble blend and balance in three-part voicing
Textual expression and emotional commitment in singing sacred text
Listening for inner harmony parts and supporting the harmonic structure
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